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Sunday, March 14

Highlights of the Latest Elvis Memorabilia at Auction
by
Phil Arnold
on Sun 14 Mar 2010 06:45 AM EDT
It has been a lot of fun following the most recent batch of Elvis goodies that were offered at auction. Bidding closed last Wednesday night on 278 Elvis items at the Gotta Have Rock and Roll Auction, and as usual there were several interesting developments. Let’s take a look at the hits and misses, as well as my choice for the biggest bargain..
Highest Bids: Although there was no jumpsuit headlining the offerings at this auction, Elvis’ clothing still attracted the highest prices, as usual. Winning bidders were able to purchase two items for the same price of $41,434. One was the denim jacket, pants and yellow shirt from the 1968 MGM movie Stay Away Joe. It had an expected price of $15-20,000, so it did considerably better than estimated.
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Denim Jacket, Blue Jeans and Yellow Shirt from Stay Away Joe
The other top item at $41,434 was the red suede jacket Elvis wore on the picture sleeves of two hit records: “Jailhouse Rock” and “I Got stung.” The jacket was expected to bring between $20-30,000, but beat that range handily. When auctions include pictures showing Elvis wearing the articles of clothing, it always seems to punch up the bidding.

Red Jacket on the Picture Sleeves of Two Hit 45s
Other Clothing: The next highest bid on Elvis clothing was for pair of black pants featuring brass stud work down the flared legs and a white silk shirt with pointed collar, circa early 70s. The auction site included a fuzzy photo of Elvis wearing these items which brought in a high bid of $18,681. This was followed by a kaftan trimmed with gold embroidery and beading. The bidding closed at $9,124, which was four times the estimate.

Black Studded Pants/White Silk Shirt Gold Embroidered Kaftan
So, we have two items of Elvis’ personal clothing, and one brought twice the price as the other. Why? I believe it was because the kaftan did not come with an accompanying photo showing Elvis wearing it. The item description says Elvis loved wearing kaftans and owned a number of beautiful ones. This may be so, but none of my thousands of Elvis pictures show him wearing one.
Jewelry: What would an auction of Elvis memorabilia be without rings and watches? He must have gone through many dozens of both in his lifetime. This time, a lucky bidder now owns Elvis’ 14KT gold ring featuring a beautiful huge crystal opal surrounded by diamonds. The auction site has a very fuzzy photo supposedly showing Elvis wearing this ring, but I couldn’t make it out. However, there is also a letter of provenance from Elvis’ wardrobe manager Richard Davis, so the ring brought in $20,060, more than double the estimate. It also had the most bids of any Elvis item in the auction.

Crystal Opal Ring 50s Elgin Watch
There were two Elvis watches in this auction, but the vintage Elgin watch above is the more spectacular looking. It went for just $10,560, well below the estimate of $15-20,000. Perhaps this is because Elvis was so taken with this watch that he purchased several of them to give away to friends. In fact, because of his fascination with this model, it became known by the name “Elvis” in the trade.
Biggest Busts: There were a number of no-bid items, indicating that Elvis collectors just weren’t willing to pay the minimum bids stipulated. Here is one that had a minimum of $35,000 and an estimate of $45-50,000. It is a set of never-before-seen 3D color slides accompanied by a 3D viewer. The item description says they were taken with a special camera at a February 1971 Elvis concert at the International Hotel in Las Vegas: “You literally feel that you can reach out and touch Elvis, an incredible experience. It is the closest you’ll ever get to seeing Elvis live. The 3D images truly capture his electrifying, high energy performance.”

3D Slides of 1971 Elvis Concert
Frankly, I am surprised EPE didn’t buy these slides. With their intent to provide more inter-active exhibits at Graceland, this would seem like a natural. Remember those old arcade machines where you looked in the viewer and saw 3D pictures? What fan would go to Graceland and not pay a few bucks to look at incredible, electrifying color images of Elvis in concert?
The next biggest no-bid item was Elvis’ 1956 contract with the William Morris Agency, which he signed in two different places. Nobody thought it was worth the $11,000 minimum, and that’s not a surprise considering the other auction item with two Elvis autographs on it. That is an insert from an American Airlines ticket envelope that Elvis signed on both sides for two young girl fans. It had a minimum bid of $800 and went for $3,019. I think this is a bargain because this came from the December 19, 1970 flight Elvis took to Washington, DC, to see President Richard Nixon.
I found one other no-bid item to be quite interesting. It is an 8x10 black and white wire service photo showing Elvis, Priscilla, and Lisa. Like many other Elvis photographs from news sources in this auction, this had a minimum bid of $100 and an estimate of $150-200, but there were no bids. The reason had to be that the photo is made up of three separate images that were cut out and pasted together. Look closely and you can see that the head sizes are not quite in proportion. Even decades before Photoshop, some newsmen were creating false photos.
Biggest Bargain of the Auction: I wish I weren’t so dedicated to not buying any more Elvis stuff, because I would love to have bought this lot. I’ve blown up the picture as large as it would go and counted the contents: 23 magazines, 4 tabloids, 8 TV Guides, 5 newspapers, 4 postcards, and 5 paperback books. In addition, there is a CD, a branch from a tree at Graceland (wrapped in cellophane), and a copy of Elvis’ will. Plus, there is a surprise in the mailing tube at the bottom, and the unidentified text at the bottom right. Only two people bid on this lot, and one of them got all this cool stuff for $300.
© 2010 Philip R Arnold, Original Elvis Blogmeister All Rights Reserved www.ElvisBlog.net
Elvis, Elvis Presley, and Graceland are registered trademarks of Elvis Presley Enterprises, Inc.
For the best in souvenir-quality Elvis magazines, click on this logo and find out about the new Elvis International.

Sunday, February 28

Viva Elvis -- Sorting Out the On-Line Reviews
by
Phil Arnold
on Sun 28 Feb 2010 05:14 AM EST
At 8 AM on the morning after Viva Elvis had its official opening performance in Las Vegas, I Googled Viva Elvis to see what the entertainment critics had to say about the reworked Cirque du Soleil show. For two months, there had been many reviews panning the initial trial presentations of Viva Elvis. I was hoping the bugs had been worked out and the critical review would be positive.

Believe it or not, Google found over 2 million results for my search. On the first page of these, there was a selection called “News results for Viva Elvis,” and you could click on links to fifty different articles. As a service to ElvisBlog fans, I checked out every one of them. Here are my choices for the five most interesting, and they come at the subject from substantially different directions.
Best Look at Costumes and Backstage:
I liked the Lights, Vegas, Action blog of Vegas.com for several reasons. The text by Kristine McKenzie was organized into four categories: The Cast, The Music, The Costumes, and The Acrobatics. There is also a video showing snippets of several dance numbers as well looks at some costumes and other backstage stuff. And finally, there is a gallery of nine still shots plus three more in the body of the article. Click on the picture below to go to this informative site.

Most Glowing Review (and most intellectual):
I was a bit surprised to read the review on the Time magazine website and find it so complimentary. Time columnist Richard Corliss used his considerable writing talents to praise Viva Elvis using adjectives like spectacular, fantastic and ecstatic. I love the way he says that Cirque du Soleil shows are to the typical Broadway shows what Avatar is to the 1933 King Kong. Corliss tends to write in a scholarly manner, and he incorporates a lot of words we regular folks don’t use in everyday conversation. I’ll share the ones I had to look up, so you won’t have to do it, too. Éclat (striking effect). Hagiography (worshipful biography), Oeuvre (body of work), Oneiric (relating to dreams), Terpsichore (choreography), Caconical (recognized/accepted), and Chorines (chorus girls). You will enjoy this review, so click this picture to go to it.

Best Videos about Viva Elvis:
CNN.com has a good article by KJ Matthews on its website. I liked the analysis of how Viva Elvis differs from the Cirque show Love about the Beatles. There are actually three videos you can check out, and two are good. “A Look at Viva Elvis” covers the theater, the specially-built stage, set pieces, and backstage activity. You may have already seen this video on the Elvis Insiders website. I also liked “Sneak Peak at Viva Elvis,” which has excerpts of Priscilla’s interview on the Larry King Live TV show. The last video is titled “Elvis, Obama, and Vegas,” but you can skip it unless you want to hear President Obama doing damage control over his recent slam at Las Vegas. Click on the pink Caddy below to link to this site.

Best Description of the Elvis Songs Used in the Show:
There almost 40 Elvis songs used in the show, either in their entirety or in medleys. The deepest discussion of the music in Viva Elvis is found in the show preview on the Las Vegas Review-Journal website. Columnist Mike Weatherford has been writing regularly about Viva Elvis for two months, and this time he interviews Musical Director Erich van Tourneau. It is revealing when van Tourneau discusses trying to keep Elvis moving artistically – trying to imagine how Elvis would do his hits today. There is no video and only two photos. Click on the one of van Tourneau below to read the interview.

Most Detail About What is in Viva Elvis:
As you may know, Cirque du Soleil is Montreal based enterprise, so it is no surprise that the Montreal Gazette would cover Viva Elvis on their website. Columnist Pat Donnelly has written a lengthy article covering (in sequence) just about every element of the show. I don’t know how anyone could read his piece without yearning for a trip to Vegas to see Viva Elvis. Because there are no photos accompanying the article, here’s one I picked for you to click on to go to it.

© 2010 Philip R Arnold, Original Elvis Blogmeister All Rights Reserved www.ElvisBlog.net
Elvis, Elvis Presley, and Graceland are registered trademarks of Elvis Presley Enterprises, Inc.
Sunday, January 10

Elvis' Grandchildren Cut 75th Birthday Cake
by
Phil Arnold
on Sun 10 Jan 2010 06:40 AM EST
In the last ElvisBlog article, we looked at the sketch of the winning design for the special Elvis 75th birthday cake to be unveiled at Graceland on January 8. I promised to show a photo of the actual cake as soon as it was available. Well, here it is, and there is a big surprise. Cutting the cake are Riley and Ben Keough, Elvis' oldest grandchildren. more »
Tuesday, December 15

OPENING NIGHT - VIVA ELVIS
by
Phil Arnold
on Tue 15 Dec 2009 06:26 AM EST
The long awaited opening of Cirque du Soleil's new show VIVA ELVIS is just three days away. On Friday, December 18, 2000 fans will file into the specially built theater at the Aria Resort & Casino in Las Vegas to view this wonderful tribute to The King. more »
Sunday, November 29

WHAT HAPPENED TO ELVIS PRESLEY'S CASINO ?
by
Phil Arnold
on Sun 29 Nov 2009 05:49 AM EST
Below is a snapshot of a page on the website CasinoOnline.co.uk. On November 20, they posted the column below: "What Ever Happened to Elvis Presley's Casino?" more »
Sunday, October 4

BENJAMIN KEOUGH SIGNS RECORDING CONTRACT
by
Phil Arnold
on Sun 04 Oct 2009 06:48 AM EDT
According to the UK Telegraph, Elvis Presley's only grandson, Benjamin Keough, has reportedly been offered a $5 million contract by Universal, the world's biggest record company. To earn this nice chunk of change, Benjamin will make up to five albums. more »
Friday, September 18

BAD GUESS on NAME for ELVIS CIRQUE du SOLEIL
by
Phil Arnold
on Fri 18 Sep 2009 09:41 AM EDT
Last week I predicted that Cirque du Soleil’s new Elvis show in Las Vegas would be called either “E” or “TCB.” It looks like that was a bad guess. According to Steve Friess on his website www.VegasHappensHere.com, the name will be “Viva Elvis.” more »
Sunday, September 6

PSYCHED ABOUT CIRQUE
by
Phil Arnold
on Sun 06 Sep 2009 04:44 PM EDT
There’s another Cirque show coming to Las Vegas that I’m going to miss out on. It is their newest creation, based on Elvis’ life and music, and tentatively set to open on January 8, 2010, after several weeks of private showings. more »
Sunday, April 19

JUMPSUITS, JEWELRY and JUNK
by
Phil Arnold
on Sun 19 Apr 2009 05:15 AM EDT
Four weeks ago, this blog discussed the upcoming auction of Elvis items presented by Gotta-Have-Rock-and-Roll. Although I didn’t express it in print, I did wonder how it would fare in these shaky financial times. The results are in, and, with the exception of Elvis’ jewelry and clothes, you could not call it a huge success. more »
Sunday, January 25

CONGRATULATIONS, BILL BLACK
by
Phil Arnold
on Sun 25 Jan 2009 05:41 AM EST
When I heard the news last week about DJ Fontana and Bill Black making the Rock and Roll Hall of Fame more »
Sunday, January 18

DJ FONTANA GETS IN THE ROCK AND ROLL HALL OF FAME
by
Phil Arnold
on Sun 18 Jan 2009 04:08 PM EST
The Rock and Roll Hall of Fame announced it will induct DJ Fontana and Bill Black into the hall on April 4. more »
Sunday, April 22

ELVIS GETS ROTOSCOPED
by
Phil Arnold
on Sun 22 Apr 2007 05:28 AM EDT
This column probably should be titled “Discover Your Inner Elvis,” but it’s been fun using strange titles lately, so let’s go for one more. On the serious side, EPE has chosen an excellent title for their new national promotion, and the advertising plan they have developed for it is most impressive. “Discover Your Inner Elvis” is something you are going to see and hear a lot in 2007. more »
Sunday, March 18

ELVIS JUMPSUITS: ALL ACCESS
by
Phil Arnold
on Sun 18 Mar 2007 08:38 AM EDT
Well, Graceland has come up with one more thing for us to spend our money on when we get to Memphis – and I will be glad to do it. I can’t wait to see the new exhibit of 58 jumpsuits. Wonder why it took them so long to think of this great idea? It’s a natural.
Of course, they also have an exhibit catalog we can purchase, and I’m up for that, too. The elvis.com website shows what a couple of pages look like, and they are first class. Very nice photos, including close-ups showing the intricate design on the flared pants leg and the back. The exhibit book will be a great keepsake.
They have created an official logo for the exhibit, and I would post it here on Elvisblog if I weren’t afraid of getting in trouble. There is a color scheme on it, as well as on the exhibit backdrops and the surround design. Remember the red, gold, and orange circles in the Aloha From Hawaii backdrop? They’re back at Elvis Jumpsuits: All Access.
Here are some quotes from Graceland staff about the exhibit:
Amy - Graphic Design: “To be so close to the costumes and see the detail and workmanship that went into these suits [is] just amazing.”
Kevin - Media: “Our new exhibit is one that REALLY has the WOW factor… These stage costumes are truly works of art and an important piece of pop culture.”
Angie - Archives: “I found the perfect Elvis quote to open the exhibit. It’s from [1970 movie] That’s The Way It Is.
Elvis - Special Contributor: “If the songs don’t go over, then we can always do a medley of costumes.”
Kevin in media also mentions the stories behind the names of the jumpsuits, including his favorites, the King of Spades and the Dragon. Many of the jumpsuits have been named by the fans, causing a few to be multi-named, like the Burning Love/Matador/Red Pinwheel suit.
Graceland owns a total of 88 Elvis jumpsuits out of the approximately 120 he wore from 1969 to 1977. Fans can also see eight more in the Graceland racquetball court, four more in the trophy building, and two in the Elvis After Dark Museum. There are at least twenty jumpsuits we will never see because they are in the hands of private collectors.
As we all know, Elvis was a lot thinner in 1969 than he was in July 1977 (in that famous Aztec suit). It is not surprising to learn that Elvis’ belt size grew from 32 inches to 38 inches during that period.
There is one thing about Elvis Jumpsuits: All Access that disappoints me. It is housed where the Elvis ‘56 exhibit used to be. This was one thing I looked forward to seeing during Elvis Week 2007, but it won’t happen. The Elvis ‘56 exhibit opened on March 20, 2006, so we fans had just one year to catch it. Elvis Jumpsuits is scheduled to stay open for only two years. It appears that EPE now has enough memorabilia in their growing collection to do rotating exhibits. That will certainly reward those loyal folks who visit Graceland every year, and it may induce the rest of us to go more frequently. Good marketing, but I’m still bummed about missing Elvis ’56.
Oh well, seeing Elvis Jumpsuits: All Access will help ease the pain.
© 2007 Philip R Arnold All Rights Reserved www.elvisblog.net
Saturday, November 4

ELVIS' FAVORITE ROLLER COASTER GOES TO NORTH CAROLINA
by
Phil Arnold
on Sat 04 Nov 2006 06:06 AM EST
A few months back, I researched an article for Elvisblog, but I didn’t write it because it seemed like there had to be another chapter of the story yet to come. Well, finally this week, the missing piece was announced. The famous Zippin Pippin roller coaster was sold to the tourism bureau in Roanoke Rapids, a small city in North Carolina. It will ultimately be part of a very big project taking shape just off I-95 a few miles south of the Virginia border.
When it is completed, the Carolina Crossroads music and entertainment district will be a 1,000-acre tourist destination complete with water rides, a 1,500-seat music theater, a quaint shopping village, and Elvis’ much beloved Zippin Pippin. Carolina Crossroads will be operated by Randy Parton, brother of country music superstar Dolly Parton, who operates Dollywood in Pigeon Forge, TN.
The Zippin Pippin had long been the top attraction at Libertyland, a Memphis amusement park that suffered from falling attendance and financial losses in recent years. A sign at Libertyland proclaimed, “The King rented Libertyland August 8, 1977 from 1:15 am to 7 am to entertain a group of about 10 guests. Decked in a blue jumpsuit and black leather belt, huge belt buckle with turquoise studs and gold chains, the King rode the Zippin Pippin repeatedly during a two-hour period… Elvis’ Libertyland rental became his last public appearance. He died on August 16, 1977.”
According to www.elvispresleynews.com, in 2002, Joe Esposito related a story about Elvis at Libertyland: “His favorite joke was to ride the Zippin Pippin to the top and get the attendant to stop the cart at the top where he would get off and hide. When the cart returned and Elvis was not there, everyone not in on the joke would freak out, thinking Elvis had fallen out.”
The Zippin Pippin is a 3,000-foot wooden roller coaster originally built in Memphis in 1912. In 1923, it was dismantled and moved across town to the horsetrack in Montgomery Park, later known as the Mid-South Fairgrounds. In 1976, many other rides and attractions were added to the property, and it was reopened as Libertyland.
After losing about $600,000 annually in recent years, Libertyland closed on October 29, 2005, and everything went on the auction block on June 21, 2006. The winning bid on the Zippin Pippin was made by Steven Shutts and Robert Reynolds, owners of the Honky Tonk Hall of Fame & Rock-N-Roll Roadshow, a traveling collection of country and rock memorabilia. Shutts and Reynolds really wanted to buy only the lead car in the train, the one Elvis always commandeered when he and the gang rode the Pippin.
However, the auction rules required all bids to cover the entire structure and all the cars. Shutts and Reynolds had planned to go as high as $2,500 for Elvis’ lead car, so that’s what they bid for the whole works. And they got it. While other, more compact rides garnered as much as $170,000, the Zippin Pippin held little value for potential bidders, because of the logistical nightmare required by the auction rules -- dismantling the entire structure and removing it within 30 days. Obviously, Shutts and Reynolds did extensive negotiations with Libertyland, because the roller coaster is still there. Now, it looks like things worked out well for everybody concerned (except for some die-hard Memphis folks still trying to keep the coaster there).
Carolina Crossroads is delighted to be getting the Zippin Pippin. Roller coaster enthusiasts are pleased that wrecking crews won’t demolish the country’s second oldest operating wooden coaster. Memphis can redevelop their valuable mid-town property. And Shutts and Reynolds most likely made a few bucks on the deal, although they aren’t saying what the sales price was.
I’ll venture a guess that they held on to Elvis’ lead car and it will become a prominent part of the Honky Tonk Hall of Fame & Rock-N-Roll Roadshow. As it travels around the country to conventions, college events, grand openings, etc., it offers photo opportunities featuring some of the memorabilia. If they offered you a chance to be photographed in Elvis’ Zippin Pippin roller coaster car, wouldn’t you go for it? I would!
© 2006 Philip R Arnold All Rights Reserved www.elvisblog.net
Sunday, October 15

THE KING'S CHAMBER
by
Phil Arnold
on Sun 15 Oct 2006 02:14 PM EDT
The King’s Chamber – sounds like something archeologists discovered in an ancient pyramid, doesn’t it? Or maybe, the secret boudoir of a medieval monarch? Well, this is Elvisblog you are reading, so you’ve already guessed the King in question is Elvis.
If you ever plan a pilgrimage to Memphis to revel in all-things-Elvis, put the King’s Chamber on your ‘don’t miss’ list. It will give you one more reason to experience famous Beale Street, because the King’s Chamber is located right in the action – on the second floor of the Hard Rock Cafe. According to Giovanni Taliaferro, the Hard Rock international memorabilia designer, “We wanted to pay tribute to the King by creating an exclusive section in our café where guests would be surrounded by Elvis memorabilia… our King’s Chamber.”
Last October 1, the Memphis Hard Rock Cafe unveiled its extensively remodeled mezzanine level, proudly displaying 100% Elvis memorabilia. Remember the denim jacket Elvis wore in the movie, “Jailhouse Rock?" It’s in the Kings Chamber. So are the outfits from two other movies and a two-piece jumpsuit from 1972 Las Vegas performances. These three are housed in self-contained, dramatically lit display cases built into large vertical support columns.
There are Elvis hats and belts, and believe it or not, even a tissue holder and wastebasket from the house he rented in Beverly Hills during the movie years. (Elvis memorabilia knows no limits. The Honky-Tonk Hall of Fame & Rock-N-Roll Roadshow has a pair of Elvis’ underwear on display.)
The guitarists who played with Elvis are represented in the King's Chamber as well. The Memphis Hard Rock’s mezzanine features both Scotty Moore and James Burton guitars. You wouldn't expect to see a tank banner, but they have one from Company D, 1st Battalion, 32nd Armor Division, that Elvis signed while stationed in Germany.
To adorn the stairwell going up to the King’s Chamber they have created a progression through Elvis’ life. Designer Taliaferro expressed thanks to Elvis Presley Enterprises for some rare photos of Elvis, along with historical information, so you know they got some good stuff.
It sounds like the King’s Chamber is a permanent feature of the Memphis Hard Rock Cafe, hopefully with the occasional rotation of items. So, if you get to Elvis Week 2007, be sure to check it out. Otherwise, whenever you do visit Memphis in the future, the King’s Chamber will be waiting for you.
© 2006 Philip R Arnold All Rights Reserved www.elvisblog.net
Sunday, August 20

THE STRANGE STORY OF BARNEY AND MABEL
by
Phil Arnold
on Sun 20 Aug 2006 09:26 PM EDT
Elvis fans come in many forms, including an extremely rich English aristocrat who lives in a castle. His name is Sir Benjamin Slade, and he has a substantial Elvis collection. One of his more recent additions was a rare 1909 teddy bear from famous German manufacturer Steiff. A teddy bear with that pedigree has intrinsic collectible value, but Elvis owned this one for a while, which made it even more valuable.
Sir Benjamin purchased the teddy bear, named Mabel, at auction in Memphis for $75,000. However, he didn’t keep it long. In a very generous move, he loaned Mabel to a nearby tourist attraction that was assembling an exhibition of rare teddy bears. Mabel joined the British Bear Collection from Barnwell Castle, the Wareham Bears from Dorset, and others. The total insured value of these combined loaner bears was $900,000.
The insurance company insisted on 24-hour-uniformed security with highly trained guard dogs. Security Guard Greg West was on duty when Mabel the bear showed up at the exhibition area. His canine partner of six years was a Doberman named Barney.
All the most valuable bears in the collection were kept inside glass cases. However, Mabel needed some prep work, so she was left on a large worktable. Greg West came strolling through with Barney the Doberman, who was not on a leash. Seeing Mabel laying there belly-up, West could not resist giving her a stroke and saying what a nice little bear she was. Barney saw this and freaked out.
In a jealous rage, he attacked Mabel and tore her head off. The ninety-seven-year-old, $75,000 Steiff teddy bear that Elvis once owned was decapitated – by the guard dog. Uh oh. Barney must have liked the taste of stuffing, because he went on to tear up several other bears worth another $25,000.
The insurance company can’t be too happy about having to pay this claim, and Sir Benjamin is really mad. Who can blame him?
There is something ironic about this strange story. Perhaps you noticed. This is the second Elvis story involving a security guard named West that didn’t turn out so well. Hopefully, Greg West won’t try to emulate Red West and publish a tell-all book titled “Barney: What Happened?”
The attraction where all this took place is Wookey Hole Caves near Somerset. How’s that for a name? Their website boasts that Wookey Hole has 300,000 visitors a year and is “the most stunning underground caverns in the British Isles." In addition, the Wookey Hole attractions include: Dinosaur Valley (20 life-size dinosaurs), Victorian Arcade (large collection of Edwardian Arcade machines you can play), Pirates of the River Axe (pirate ship game area involving nerf cannonballs), Magical Mirror Maze (distorted mirrors plus a maze you try to navigate through), and Enchanted Fairy Garden, (a river trail where you encounter fairies, elves, and dragons).
What Wookey Hole doesn’t have anymore is Barney the guard dog – and probably not Mabel the Elvis bear either, if Sir Benjamin has any sense.
© 2006 Philip R Arnold www.elvisblog.net
Sunday, July 30

ELVISLAND at HARD ROCK PARK
by
Phil Arnold
on Sun 30 Jul 2006 06:22 AM EDT
Recent press reports announced the start of construction on a world-class theme park in Myrtle Beach, SC. The intriguing part of this news is that the folks at Hard Rock Café are building it, and it will be a rock & roll themed attraction. Covering 150 acres and costing $400 million, Hard Rock Park is scheduled to open in spring 2008.
According to company executives, Hard Rock Park will be an “evolution of theme parks” and a place to “showcase some of the finest pieces of rock memorabilia.” Although it will be designed to appeal to the whole family, it will have a strong food and beverage component, including alcohol. Of course, it will have a large concert arena that will feature headline entertainment.
The announcement said Hard Rock Park would have six themed areas but did not give any details. Certainly, one of them would have to have an Elvis theme. If Disneyland has Fantasyland, Frontierland, and Tomorrowland, Hard Rock Park needs to have Elvisland.
It’s been fun thinking about a possible Elvisland and to imagine what Elvis songs and movie titles would lend themselves to rides and other attractions. Here’s my list:
Roller Coaster All Shook Up: This was just too easy. What could be better than “All Shook Up?” It certainly describes me after a roller coaster ride.
Flume Ride Kentucky Rain: Not too many Elvis songs mention water, but this would work for a ride where you get soaking wet.
Go Kart Course Speedway: All the female staff could wear short outfits and boots like Nancy Sinatra’s in the movie.-
Dark Ride Mystery Train: Dark Ride is park terminology originally used for things like haunted house rides, but it has evolved into spectacles like Pirates of the Caribbean and Indiana Jones. With “Mystery Train” the designers could do anything their imaginations conjure up.
Animatronic Ride Wild In The Country: That movie title didn’t refer to woodland critters, but the ride’s designers could come up with a kiddy ride that works with the theme.
Ferris Wheel Roustabout: The name may be a stretch, but there was a Ferris Wheel in the movie, and it had a part in one of the sub-plots.
Swing Ride Easy Come, Easy Go: The most popular swing ride is the pirate ship that arcs back and forth to ridiculous heights. “Easy Come, Easy Go” vaguely invokes an image of pendulum-like movement. The boat could be the Port Of Call, the sunken treasure ship in the movie.
Bumper Cars Spinout: That’s perfect.
Carousel Teddy Bear: This would work if the traditional horses are replaced with big cuddly bears.
Scenic Boat Ride Paradise, Hawaiian Style: Once again, the title leaves the door open for the designers to create just about anything.
Of course, if Elvisland is to have a stage show, here’s a natural:
Good Rockin’ Tonight.” One of the many shops could sell jewelry
and be called “Wear My Ring Around Your Neck.” And finally, one of
the restaurants could be called “Fried Peanut Butter and ‘Nanners.” It
probably should be an all-you-can-eat buffet.
In a year or two, we will return to this subject to see if there is an
Elvisland and whether any of these names are on the rides at Hard
Rock Park. Remember,you heard it here first.
© 2006 Philip R Arnold www.elvisblog.net
Sunday, May 28

CIRQUE Du SOLEIL, ELVIS STYLE
by
Phil Arnold
on Sun 28 May 2006 08:47 AM EDT
When it comes to guiding the career of Elvis Presley, Robert Sillerman is about to make Col. Parker look like an amateur. Mr. Sillerman’s company, SKX, owns EPE, through which he has made a brilliant move -- a joint venture with Cirque du Soleil to develop something called ELVIS PRESLEY PROJECTS.
First, just in case you are not familiar with Cirque du Soleil, let me fill you in. It is one of the most amazing entertainment spectaculars in Las Vegas, a city filled with dozens of them. Cirque du Soleil has distinction because there are four different, permanent shows going on at some of the biggest hotel/casinos on the strip: Mystère at Treasure Island (since 1994), O at the Bellagio (water circus), KA at MGM Grand, and Zumanity at New York, New York.
Show number five will be LOVE, celebrating the musical legacy of the Beatles. It starts June 2 at the Mirage Hotel. This is going to be great, at least if the show is like what’s on the two video clips at the Cirque du Soleil website.
Do you think Mr. Sillerman figured that if they could do it with the Beatles, they could do it with Elvis, too? Good call. I love it. This is the most exciting news. Reading deeply into the press release, you learn that each ELVIS PRESLEY PROJECT will contain three elements;
- Permanent shows at fixed locations. Las Vegas is apparently out of the running in the near future, so you have to wonder where the first one will be. My guess would be Toronto (easily reached by millions of Americans) or Tokyo (a hotbed of Elvis interest).
- Touring shows. Cirque du Soleil currently has six touring companies, all doing shows with their own themes. They travel all over North America, Europe, and Asia.
- Elvis Experiences – multimedia interactive entertainment that incorporates the likeness and music of Elvis Presley.
This is the one that has me psyched. ELVIS EXPERIENCES. Bring it on. How much are tickets? I have no idea what this multimedia interactive experience will be, but with the geniuses at Cirque du Soleil creating it, I know it will be great. Here’s what Mr. Sillerman says: “Cirque du Soleil remains one of the most stunning and exciting experiences on the planet and brings the creative genius needed to produce shows and multimedia events that capture the true Elvis Presley.”
It is possible to get a sense of how different and wonderful the permanent (and touring) Elvis shows could be. Just click on the Cirque du Soleil / Beatles website: www.cirquedusoleil.com/CirqueDuSoleil/en/showstickets/love/intro/intro.htm. When it opens, watch the “Sneak Preview.” When you finish that, click on the “About The Show” link and then click on “Costumes” for another video. Finally, there are thirteen still photos you will want to check out.
It may be a bit harder to build a show around Elvis than the Beatles. They had such strange, wonderful, complex songs during the last few years of their career. You will see on the video clips how songs like “Lucy In The Sky With Diamonds” and “Octopus’s Garden” are perfect for Cirque du Soleil adaptation. It may be more difficult with “Don’t Be Cruel” or “Hound Dog,” but you know they’ll come up with something very cool for “All Shook Up” and "Viva Las Vegas."
Thank you, Mr Sillerman.
© 2006 Philip R Arnold www.elvisblog.net
Sunday, January 15

WANNA BUY AN ELVIS JUMPSUIT?
by
Phil Arnold
on Sun 15 Jan 2006 09:27 PM EST
Sorry, too late. You had your chance last weekend at the huge Elvis memorabilia auction in Beverly Hills, CA. They even gave it a fancy name: The Elvis Empire Auction. Everything up for bid came from the private collection of superfan Jim Curtain, and it cleared him over $2 Million. This interesting man deserves an Elvisblog article in a week or so, but space today permits only a discussion of the items up for sale.
Regency-Superior, the auction company, has a website which as of this moment still contains pictures and descriptions of all 1213 lots and the expected range the bidding would reach for each. Surely, at some point, they will end this link to a completed auction, so if you would like a look at all the Elvis goodies Jim Curtain amassed, don’t wait too long to click on: www.liveauctioneers.com/catalogs/8507-50.html.
And be prepared to spend a lot of time as you scroll down through the incredible selection of Elvis memorabilia. You will be tempted to click on many of the items to see a much larger picture. Even better, there are detailed descriptions of each item written in a pleasant conversational manner. You will be tempted to spend hours on the site. I sure did.
On the very first page you will find the two Elvis jumpsuits that were sold. Have you ever heard of the “Nail Mirror Suit,” so named for the 1500 brass and mirror disks that adorn this creation? It had an estimate of $250-300,000 but went for a mere $125,000. The other jumpsuit is a two-piece dark blue outfit that I don’t think I have ever seen in photos before. I’m not sure why, but the estimate was much less at just $150-200,000, and it sold for only $50,000.
News reports gave the selling price of just one other item: two ticket stubs from the October 28, 1956 Ed Sullivan Show, Elvis’ second appearance on the program. They are nicely displayed in a frame with a background picture of Ed Sullivan (but not Elvis) on stage. They went for $19,000. Wow! If I had that kind of money, I’d spend it on some stuff autographed by Elvis. The auction included all sorts of things signed by him, and the estimates ranged from $500 to $2000.
One reason I spent so much time on the auction website is because I was hoping it included a bootleg Elvis album I own: “The Burbank Sessions.” This is the audio recording from the famous unplugged pit session of the ’68 Comeback Special, and I have never known what it’s worth. The good news is that it was there and estimated at $450-500. The bad news is that I have only Vol. 1 of a 2-volume set, it is not still sealed, and it no longer contains the bonus souvenir book. Oh, well.
One last note. As you scroll down through the Elvis records, you might think it is just records from there to the end because there are a ton of them. Wrong. If you don’t scroll on past the records, you will miss a lot of cool items.
© 2006 Philip R Arnold www.elvisblog.net
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