Category Archives: COOL STUFF OUT THERE IN ELVISWORLD

Conan O.Brien — A Genuine Elvis Fan

On May 31, Elvis.Com had a news item and link to Conan O’Brien interviewing Peter Guralnick.  Well, I’ve got three of Guralnick’s Elvis books, and he knows more about Elvis than anybody, so this was something I wanted to watch.

 Conan and Peter Guralnick

 

However, once it got going, I was very impressed with the knowledge Conan exhibited and the quality of his statements and questions. For example, I was curious how Conan became an Elvis fan.

“When I was in college, and it’s the 80s, and I had sort-of come of age with 60s and 70s music.  Elvis wasn’t a big interest of mine.  And, then, I want to say, 1983, I listened for the first time to The Sun Sessions, Elvis’ earliest work that he did with Sam Phillips.”

The Sun Sessions CD

“It blew my mind.  It was like a drug.  I couldn’t get enough.  It made me go out and buy a guitar.  It made me try and play that music.  And, in a sense, I’ve never gotten past that music.  I can’t get past early Elvis.  I can’t get past Jerry Lee Lewis.  I can’t get past Carl Perkins.  I appreciate other music, but I’m always drawn back.  It’s just this energy.”

 Conan Energy

 

Even better was Conan’s concern about Elvis putting up with all the crummy songs in the later movies:

“What I’ve always noticed about Elvis that bothers me to this day is there’s nobody more talented.  There’s nobody who’s better looking.  He’s a rare example of the complete package and he is at the right time.  He’s got it all — and he’s passive.  He doesn’t like the songs they give him in the movies, but he sings them.  He doesn’t like the movies, but he does them.  Why was he so passive?  Why did he sing the song “Clambake?”… These songs are dreadful.  And you think, he was Elvis Presley.  Why couldn’t he stand up and say, ‘I’m not doing this!  Get me Leiber/Stoller.  Get me real songwriters.  Let’s make a real soundtrack”

Clambake Poster

Conan makes a good point.  With his stature, why didn’t Elvis insist on better movie songs?  The answer to the question takes Guralnick some time to explain, and as you might imagine, it partly involves Col. Parker.

 

The most profound thing Conan said was about the unfair treatment Elvis and his fans sometime get these days:

”I listen to Elvis nearly every night on Sirrius.  I love it.  But, every once in a while, they’ll say, ‘Now we’re going to the Movie Soundtrack Show… I switch the channel.  I can’t take it, because it’s Elvis digging a ditch. It’s not something he wants to be doing.  He’s doing his best.”

“But, the artists like Elvis who survived into the 80s and 90s got a chance to work with real [bands]… They’re redeemed.  They get to work with great producers.  Johhny Cash had this whole resurgence.  Roy Orbison gets a resurgence.  They’re taken seriously.  They are treated appropriately – as icons and heroes.  And their work is refurbished… There’s always part of me that’s very sad that Elvis couldn’t have lived to see how great his work was.  He was someone who was revered.  To see that whole generation come out and play with him and support…. And let him know that his work meant something in the American tapestry, but he never got that chance.”

 Peter and Conan

Conan got a little wobbly at the end of that quote, so some was edited out for clarity.  However, Peter Guralnick agreed with Conan one this point, and so do I.

 

Roy Orbison and Friends: A Black and White Night (1988) – Think five guitars is enough?  Who’s that guy on the left?

Roy Orbison and Friends: A Black and White Night (1988) – Think five guitars is enough? Who’s that guy on the left?

 

If Elvis had lived into his fifties, he may well have had an event like Roy Orbison and Friends: A Black and White Night, playing with a bunch of contemporary musicians.  It would have changed the perspective of those Elvis detractors out there, and proved that you and I are right.

I highly recommend you watch the entire Conan O’Brien and Peter Guralnick interview by clicking here.  It is seventy-two minutes of excellent Elvis information by two genuine, knowledgeable Elvis fans.

 Jailhouse Conan

  Next Week – Conan Sings Elvis

 

 

©  2013    Philip R Arnold, Original Elvis Blogmeister    All Rights Reserved    www.ElvisBlog.net

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Elvis, Elvis Presley, and Graceland are registered trademarks of Elvis Presley Enterprises, Inc.

 

Moving Elvis Mr. Potato Head Parts Around

I’ve done two previous articles on the Elvis Mr. Potato Head figures.  The first was favorable, and that resulted in me getting an e-mail thank you message from from Dean Gorby of PPW Toys, the company that makes the Elvis Mr. Potato Heads for Hasbro.  I wrote back and asked if I could get some in-house photos of the Elvis Live, as the first model was called.

Dean sent me unpublished pictures of Elvis Live with the white jumpsuit, and I used that for a second ElvisBlog article.   More recently he sent me photos of the ’68 Special black leather model, including a little note filling me in on the results when ’68 Special debuted at the New York Toy Fair in February.

 

Elvis Mr. Potato Head is front and center at the Toy Fair

Dean expressed his happiness at getting so many favorable comments from the folks coming by their booth at the Toy Fair.  “Many people said they liked it better than the first.  The overall response was that people thought it was cuter because you can see his eyes, where as the first version had sunglasses.”

                

     Elvis Live                                                                    '68 Special

Sorry, but I am going to disagree with those folks.  I like the sunglasses way better than the eyes.  However, there is some good news.  You can remove the eyes from black leather and replace them with the sunglasses.  Like this.

’68 Comeback Elvis Wearing Sunglasses

The next two outfits in the series will probably be Jailhouse Rock and Gold Lamé, but both are unlikely to include the sunglasses because they are 50s themes.  Of course, if you have your sunglasses from Elvis Live, you could move them around to all the models.  I liked this idea so much, I asked Dean if he would send me some extra glasses, so every Elvis Mr. Potato Head I buy can wear them.  They just came in, and they are very cool.  Thank you, Dean.

While we are talking about moving Mr. Potato Head parts around, here’s another idea to think about.  It sure looks like the mask and helmet of Darth Tater would fit nicely over that black leather suit.  And, you know you can replace that mic stand with the light sabre.  Remember how Elvis always imagined Captain Marvel Jr. as his alter ego.  I wonder what he would think about being Darth BlackLeather.

 

                  

 

Speaking of mics, Dean recently told me about the bonus goodies they inserted into 500 packages of each model.  Their experiences with Elvis Live and ’68 Special were quite different.  They produced 500 gold mic stands, and randomly mixed them in boxes of the black leather Elvis above.  It didn’t get noticed.  However, the 500 gold guitars they placed with the white jumpsuit Elvis had quite an effect.  Dean said he has seen many for sale on line, and they have consistently sold for about $100 each.

                      

Elvis Live with standard black guitar                       Special Gold Guitar

Now, I’ve got to ask Dean for one of those gold guitars.

 

©  2011    Philip R Arnold, Original Elvis Blogmeister    All Rights Reserved    www.ElvisBlog.net

Elvis, Elvis Presley, and Graceland are registered trademarks of Elvis Presley Enterprises, Inc.

Live Like Elvis — For $25,000 per Month

Recently, Jade Mills, a California realtor specializing in large estates, posted a new rental listing on her website.  It was 1174 N. Hillcrest Rd, which you knowledgeable fans will recognize as one of the homes Elvis lived in while filming movies.  It is located in the very exclusive Trousdale Estates near Los Angeles, and it is huge – 5,367 square feet.  Elvis bought it in May, 1967 for $400,000, but for some reason he lived there for only six or seven months.  Memphis Mafia members Joe Esposito and Richard Davis lived in the house, and Charlie Hodge and Gee Gee Gambill lived in the quest house.  Elvis was surrounded with buddies no matter where he lived.

 


 

A friend of mine sent me a link to the Huffington Post website, where they had an article about the house.  They duplicated the wonderful photos by Simon Berlyn that are showcased on the realtor’s internet listing.   The Huntington Post also incorporated basic formation from the rental site, but they rewrote the text.  In so doing, they messed up a reference to floor-to-ceiling windows and called them floor-to-ceiling walls.  Read the listing below and then have some fun reading the comments it inspired.

 

Former Elvis Home Available For $25,000 Per Month

The four bedroom, five bathroom home once belonging to actor-singer Elvis Presley and his wife Priscilla is now available for rent at $25,000 per month.  Located in Beverly Hills' exclusive Trousdale Estates next to comedian Danny Thomas' former estate, the 1.8 acre property has both a main house and an attached guest house with a four-car carport.  The former celebrity pad sits behind a private, gated entry, and the front gate itself still has personal messages written from fans to Elvis on it. The rest of the property has undergone renovations however, and updates include a brand new kitchen with professional appliances, new laundry room, upgraded electrical, and resurfaced pool and spa.   Additional features include floor-to-ceiling walls throughout the home with city and ocean views and a media room.

 

 

Comments:

“The space is great, lots of light, big open rooms. BUT, the facade is horrible, that style is all over Beverly Hills.  Sort of a post modern Normandy style.  And that niched ceiling looks expensive and silly next to a contemporary open kitchen with the cut out walls.”

“Nice layout and views but I don't like the monochromatic “color” scheme at all. White, stainless steel, more white…ick.”

“Grand open spaces and large rooms with killer scenery for the view. That whole faux-mansard roof thing is a bit dated but still quite charming and definitely LA. “

 

“Gorgeous trees and light coming through them!   What a hoot the rounded entry portico is! “

“What?!   No Jungle Room?!”

“Are we certain that Elvis has left the building?”

“The building has left the building.”

“Did anyone else notice that the description included 'floor to ceiling walls'???  I am gonna up the value of my own house….I got 'em, too!”

“I always like my walls to go from the floor to the ceiling.”

“Floor to ceiling walls?  As opposed to…?”

”You can’t beat the address though, if that's what you’re into.  Bottom line, for 25 grand a month, you could do better.” 

“I just wonder if they throw in a free first and last month's rent – considering it would take a month to move in enough stuff to fill that place – and another to haul it out again… “

“How much to rent it for an hour? “

“How about for a weekend?  I could throw a killer party in that house.”

 

“The only thing is that you would have crazed Elvis fans scribbling on your gate. Weird.”

“Who is Elvis Presley?”

 

Several of the comments mentioned the fabulous view.  It is to the West, so I’ll bet the sunsets are awesome.  Who couldn’t throw a killer party at this place? 

Photos by Simon Berlyn with Berlyn Photography

 

©  2010    Philip R Arnold, Original Elvis Blogmeister    All Rights Reserved    www.ElvisBlog.net

Elvis, Elvis Presley, and Graceland are registered trademarks of Elvis Presley Enterprises, Inc.

Reagan, Obama, and Elvis

Lately, there has been much in the press about Barack Obama’s shift to the center.  He is said to be thinking and sounding a lot like Ronald Reagan.  This, plus the 100th anniversary of Reagan’s birthday on February 6, has even prompted news magazines to pair the two presidents on their covers.

Current Time magazine cover featuring Ronald Reagan and Barack Obama

 

One thing the press hasn’t mentioned is that both presidents have been Elvis fans, and that they’ve worn clothing to give them that Elvis look.

                  

Obama favors the young Elvis gold lamé coat from 1957.  Reagan looks great in the 1973 Aloha from Hawaii American Eagle jumpsuit.  Some clever folks did a nice job on Photoshop making these shots.

Do you know how many presidents Elvis met?  Of course there was Nixon in 1970.  Lesser known is that Elvis met both Jimmy Carter and George H W Bush – before they became presidents.

                          

 

Jimmy Carter was the Governor of Georgia when he and Rosalyn visited Elvis backstage after a June 1973 concert in Atlanta.  George H W Bush was UN Ambassador when he was the guest speaker at the dinner where Elvis was honored as one of the Ten Outstanding Young Men of 1971.

 

John F Kennedy was one president Elvis never met, but a Photoshop jockey with questionable taste did try to give us picture simulating an occasion when they got together.

 

©  2010    Philip R Arnold, Original Elvis Blogmeister    All Rights Reserved    www.ElvisBlog.net

Elvis, Elvis Presley, and Graceland are registered trademarks of Elvis Presley Enterprises, Inc

Strange Elvis Searches on the Internet

Google and the other search engines have been very instrumental in helping people discover ElvisBlog.  With over 380 articles covering every Elvis subject imaginable, ElvisBlog comes up high on just about any search topic fans type in – even the stupid ones.  Two years ago, I featured some of the strange Elvis searches on Google in a fun article.  Since then, many new ones have shown up, so let’s take a look at some of them.

 

The answer to this question is easy. If you were Elvis, you would look like a skeleton. He’s been dead for 33 years, you know.  Too bad Google didn’t show this image as the answer.

 

This is just further proof that Elvis fans want to know everything about the King.   I guess this person equated Elvis jumpsuits with the astronauts’ space suits, which do have built in underwear of sorts for those six-to-eight hour space walks.  In fact, there was a time or two when Elvis left the stage for a quick visit to the facilities backstage, so built in underwear in his jumpsuits is a pretty strange concept.

 

What prompts people to want to know things like this?   I guess there has never been a Frito shaped like Elvis’ head, because Yahoo came up with nothing.

 

 

My wife actually uses this phrase.  If I’m not paying enough attention to her, she will say something like, “I wish you would spend as much time with me as you do with your stupid blog about Elvis.”  As you can see, ElvisBlog came up Number 1 on the Google list.  I’ve reminded my wife that Google does not make value judgments.  It’s just that the title of an old ElvisBlog article contained all three keywords in the search phrase.  She doesn’t buy it.

 

I hesitate to put this one up, because it may make Elvis fans seem dumb.  I’ve been to the Elvis Festival in Collingwood, Ontario twice, and it’s a great event.  But, you might want to skip the Elvis feastable.

 

The search subject here is so long that it wouldn’t fit in the box.  Fortunately, the fan misspelled a word, so Google made their best guess and asked, Did you mean: …., and repeated the question out of the box where we could read it.  Google did not have the answer, but I do.  The teenage rock n roller in Hound Dog Man was Fabian.  He wore Elvis’ pants and boots from Love Me Tender for his screen test with Twentieth Century Fox.  This led to Fabian getting the role in Hound Dog Man, and his character had the same name (Clint) as Elvis’ character in Love Me Tender.

 

 

OK, if we’re doing searches by stupid fans, this should get a prize.  There are no pictures of Elvis holding his grandson for a very good reason.  Benjamin Keough is 18 (just turned on October 21) and Elvis died 33 years ago.

 

Something is wrong here.  If Elvis was still alive, how could he be living as Jesse, his twin brother?  Jesse was still-born, and if he wasn’t, he still would be Elvis’ twin; so how does that give any cover?  I like Google’s Did you mean: if elvis is living as jesus, would he secretly come to visit graceland?   Don’t you wish somebody at Google had a warped sense of humor and answered the question like this:  “Elvis is living as Jesus, and he visits Graceland all the time.”

 

There have been Elvis and Michael Jackson searches covering a lot of different topics, but this one takes the award for the weirdest.

 

Look at the first answer Google found on this search.  Although it doesn’t state whether it happened on the moon or not, Google informed us that the ghost of Marilyn married a two-headed Elvis clone.  Inquiring minds want to know.

 

Here’s a nice variation.  Now we have three heads, but they are on an alien, not an Elvis clone.  Do you think Marilyn would be upset about the Elvis clone dumping her for the three-headed alien?

 

Don’t you single guys wish Google could tell you how to pick up chicks like Elvis?  Dream on.

©  2010    Philip R Arnold, Original Elvis Blogmeister    All Rights Reserved    www.ElvisBlog.net

Elvis, Elvis Presley, and Graceland are registered trademarks of Elvis Presley Enterprises, Inc.

 

Elvis Mr. Potato Head, Part 2 and 3

Most Elvis websites and blogs noted the announcement of Elvis Mr. Potato Head back in June.  Some were actually hostile to the idea, but I liked it and said so.  I may be old, but I like my Elvis toys, and this is a good one.

In the favorable ElvisBlog article, I dug a little deeper and reported on PPW Toys, the company that manufactures Elvis Mr. Potato Head as a licensee of Hasbro.  This prompted a nice comment by Dean Gorby, business development manager for PPW.  He was impressed that I understood his toy represented Mr. Potato Head dressing as Elvis and was meant as a humorous homage.

Four months later, Mr. Gorby went even further.  He sent me four images and told me I was welcome to use them on ElvisBlog.  Here they are.

This is an image you will see a lot pretty soon.  As previously announced, the second Elvis Mr. Potato Head will be dressed in black leather from the ’68 Comeback Special.  Unfortunately, it will not be available for the 2010 Christmas season, but we can get it starting in February 2011.

 

 
This is a super artist’s rendering of the final design selected for the first Elvis Mr. Potato Head dressed in a white jumpsuit.

 

This is a design that didn’t make it, and I think we can see why.  The optional sunglasses are a nice design, but the buck-teeth are a no-no. 

 

This is impressive – views from the front, back, both sides, top and bottom.  Elvis Mr. Potato Head may be a toy, but designing it is a serious business.

 

Mr. Gorby also advised me that there will be a third Elvis Mr. Potato Head introduced in late 2011.  To pump up interest, Hasbro/PPW will let the fans choose what iconic Elvis image will be featured.  They will offer three choices and have a vote to determine which one they will actually make.

If it works out like the other series of Elvis collectibles, these choices will be from the usual group of images – Jailhouse Rock, gold lamé, Blue Hawaii flowered shirt, etc.  I would like to propose some other options that are often overlooked.

                        

This could inspire a “Hound Dog” version, so named because this is the shirt and coat Elvis wore when he appeared on the Milton Berle Show, June 5, 1956, and introduced “Hound Dog,”   This performance was the one that created a firestorm of negative reaction across the country.  It was a TV event just as momentous in Elvis’ legacy as the Comeback Special and Aloha From Hawaii, but his outfit never gets the same notoriety.

    

This outfit could be called either “Loving You” or “Teddy Bear” because Elvis wore it in the movie Loving You when he sang “Teddy Bear.”  It has a part in the story line when it is a gift to celebrate Elvis moving up to co-headliner of the travelling concert troupe.  He is also wearing it when a very aggressive groupie sneaks into his dressing room and puts some moves on him.

             

The teddy bear outfit has also been featured on various CD, album and 45 record covers, but it never shows up on Elvis collectible figurines.

 

                              

This one could be called “Karate Elvis.”   I actually have a refrigerator magnet set that includes this Karate Gi as one of the clothing options.  Wouldn’t a Karate Elvis Mr. Potato Head be cool?

No matter what the choices for design # 3 are, Hasbro and PPW will have a great run of success with Elvis.  If the series continues on to additional designs, I’ll bet you’ll someday see a boxed set of mini Elvis Mr. Potato Heads.  If so, you can count me as a customer.

 

©  2010    Philip R Arnold, Original Elvis Blogmeister    All Rights Reserved    www.ElvisBlog.net

Elvis, Elvis Presley, and Graceland are registered trademarks of Elvis Presley Enterprises, Inc.

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Special ElvisBlog Content This Week

 

What a week!  My house is getting painted right now, a new roof was installed on Tuesday and Wednesday, and I just got back trom suburban Philadelphia for a few days to celebrate my 50th high school reunion.  I know that makes me sound old, but it also means I was a teenager when Elvis’ music ruled the radio air-waves in the 50s.  In a way, Elvis music was the soundtrack for my teen years.

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Because of that, I can really appreciate a story written by one of my writer friends about a thirteen-year-old boy in 1958 who loved Elvis.  The author is Bob Strother, an extremely talented writer of short stories, who will soon release his second book, titled Scattered, Smothered, and Covered.

 

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Bob’s book contains the story I mentioned.  It is titled “Baby, Don’t Say Don’t,” and you alert fans will recognize that as the familiar repeated line from Elvis’ hit song “Don’t.”  I am going to feature Bob’s wonderful story here this week while I take a short break from my writing chores.

 

In case you are thinking about skipping this story, let me tell you that the thirteen-year-old boy and a fourteen-year-old girl from the neighborhood decide to practice making-out to make sure they are good at it when the right person comes along later.  Needless to say, complications arise.  How’s that for a hook?  Plus, Elvis songs are cleverly woven into the narrative.

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So, please read “Baby, Don’t Say Don’t” by Bob Strother.  You will really enjoy it.

 

 

Baby, Don’t Say Don’t

 

 By Bob Strother

 

 

Zelma removed her glasses and positioned them strategically on the dashboard of Jeff’s mother’s ’54 Chevy Bel Air. She took the Dentyne out of her mouth, rolled it back up in its wrapper, and laid it in the ashtray. Jeff slipped the key into the ignition, found the auxiliary slot, and rotated the tuning knob to WFLIand the top-forty countdown. They rolled the windows down on each side of the car. The preparations had become a ritual for their Wednesday night liaisons.

The way Zelma figured it, getting rid of the glasses worked for both of them. First, she knew that she looked better with her glasses off. She was fourteen, a year older than Jeff, with a forgettable face, limp, luster-proof brown hair, and a weak chin. In her favor, she had breasts. Not just run-of-the-mill, fourteen-year-old, emerging breasts-to-be, but real-live, here and now, out-there breasts. Second, without her glasses, she was practically blind. In her blurred vision, the red-haired, freckled-faced Jeff looked much more like someone she might fantasize about kissing.

They were outside in the gravel parking lot of the Second Cumberland “Whosoever Will May Come” Presbyterian Church. They had endured the Wednesday-night prayer meeting and, when choir practice began, had gratefully retreated to the darkened confines of the Bel Air for their own private practice.

“Turn the radio down just a little,” Zelma said. “We need to be able to hear footsteps on the gravel if someone comes out early.”

Jeff did as she instructed. Neither of the two, especially Zelma, wanted to be caught in a comprising position.

Her parents, Frank and <?xml:namespace prefix = st1 ns = “urn:schemas-microsoft-com:office:smarttags” />Geneva, were mainstays of the church. Frank was the choir director and a deacon. Geneva played piano and organ and led the Women’s Circle meeting. Jeff’s mother sang in the choir.

Jeff leaned back against the front seat. He knew they were believable sitting up front, just talking and listening to the radio. The back seat was a different story. Zelma curled over and wedged herself between Jeff and the steering wheel. He kissed her lightly on the lips, and she closed her eyes, enjoying the tingle she felt.

“I like your sweater,” he said and ran his hand over the soft cotton at her shoulder and down to her bare arm.

She favored sweaters because they showcased her best physical asset. She also knew her limitations. That, in large part, accounted for these “practice sessions” with Jeff.

…..

She had approached him earlier that summer. They had known each other for the greater part of their short lives, through church and, living four houses apart, as neighbors.

They’d sat outside on the front steps of the church, listening to the muted sounds of the choir from inside and watching the haphazard fireworks of lightning bugs against the settling darkness.

“You ever kiss a girl?” she’d asked.

He’d looked over at her with renewed interest.

“Sure. Why?”

“No, I mean really kissed one, on the lips and all that.”

“I said yes.”

“When?”

“At church camp.” He uncoiled his long legs and leaned slowly forward, stretching with his fingers to grab the tops of his Keds. “Two years ago.”

“Yeah? Who was she?”

“Sandra Clarkson. She was from Cleveland. You wouldn’t know her.”

“Okay. Well, anyway, did you like doing it?”

“Of course I liked it. What do you mean?”

“Well, you were only, what, eleven years old?”

He looked at her with an impatient expression. “I was mature for my age.” Now he smiled. “Still am.”

He leaned back, placing his elbows on the rough concrete surface of the steps, and turned his face up to the stars.

Zelma had hesitated. With the moment at hand, she felt less sure of her plan, wondering, What if he wasn’t interested? She’d concentrated on the flight pattern of a particular lightning bug, taken a breath, and held it.

“Would you like to kiss me?”

“Yes.”

She could tell from the sound of his voice that he was looking at her again. Relief flooded through her.

“Okay,” she’d begun, “here’s the deal.”

She’d explained her idea, how they could both benefit from practice. After all, one heard of all sorts of techniques that people used. It seemed something new came out almost every week, according to the magazines she saw at the drugstore. It wouldn’t be a big thing between them, of course. It was just practice, a way for them to enhance their skills, to better prepare themselves for the rigors of high school dating.

Jeff had agreed, and the pact was sealed.

The next Wednesday night, she’d gotten the car keys from her dad, who was more interested in his ailing alto section than in her need to catch up on the top-forty countdown.

And just like that, the experiment had started.

It had worked out well. They were both a little nervous at first, a little clumsy, but as the weeks went by they settled into a comfortable once-a-week routine.

Zelma had to admit she liked it. Jeff had taken to it well. He was sweet, not bad-looking, she thought, and eager to please. On occasion, she had to curb his youthful enthusiasm, but that wasn’t so awful and, if anything, bolstered her confidence.

…..

Now, in the Bel Air, she slid her tongue wetly along the outline of Jeff’s lips. He returned the favor deftly.

“That’s called a French Smoothie,” she told him.

“Mmm. Very nice,” he said. “Where’d you hear about that?”

“One of the girls in my math class read about it in True Confessions.”

“Wait!” Jeff reached over and edged the radio’s volume up just a bit. Elvis’s velvety voice purred low and husky through the dashboard speaker. It was one of his new releases — “Don’t.”

“I love this song,” he whispered and softly joined Elvis with the familiar lyric, “Baby, don’t say don’t.”.

A huge Elvis fan, Jeff had a collection of forty-five rpm singles and four-cut albums. He’d even bought the Peace in the Valley gospel collection to show his mother that Elvis’s heart was in the right place.

Zelma, not used to being upstaged by The King or anyone else, pulled Jeff’s face down to hers and gave him a long, slow kiss. She flicked her tongue teasingly between his teeth, and then probed for his tonsils. She felt him take a deep breath, and then his hand was sliding up along her torso, his thumb traveling along the outer rise of her left breast.

“Don’t!” she said.

“Don’t what?”

“Don’t do that.”

“Do what?”

“You know what.”

“I thought …”

“You thought wrong,” she said, secretly pleased with the way she could fan his flames and then cool him off.

They were silent for a moment, listening as Elvis finished the song. Then Jeff bent and let his lips travel along Zelma’s neck. He brushed aside a strand of her hair and breathed into her ear.

The next thing she knew, his tongue was snaking around inside it.

“What are you doing now?” She sat up on the car seat.

He shrugged. “It’s supposed to make you hot.”

She stuck her finger in her ear, then pulled it out and stared at it myopically. “It made me wet.”

“I think that means it’s working,” he said, chuckling softly.

“My ear is full of spit, dummy! That’s not what I meant and you know it.”

“Okay, sorry. But that’s what we’re doing, isn’t it? Trying out new stuff?”

“Next time just take it a little easier. I thought you were going for my brain.”

…..

Their sessions continued throughout the summer and into late fall. Then, on a cool Sunday in November, a new family joined the church, and Zelma immediately fell hopelessly, shamelessly in love with their sixteen-year-old son, Reggie.

Tall and slender, with black wavy hair, he had a contagious smile and long, dark eyelashes Zelma herself would have killed for. That Sunday, he wore dark gray flannel trousers with a white shirt and a lighter gray tweed sport coat. As he made his way toward the exit after services, he wound a long, burgundy cashmere scarf about his neck.

Zelma squeezed through the throng waiting to congratulate the pastor on his sermon and darted for the parking lot. She positioned herself among the cars, then started back toward the church as though she were returning to retrieve some personal item left behind. She had calculated correctly and intercepted Reggie just as he stepped from the concrete walkway onto the gravel.

“Hello there,” she said, giving him her best smile. “Welcome to the church. I’m Zelma Robinson. ”

“Hello yourself,” he said and offered his hand. “I’m Reggie.”

Zelma felt an electric current run up her arm as she grasped his long, slender fingers. She held on for dear life as the charge suddenly shot through her body to other, more sensitive parts. She barely managed to let go before something deliciously inappropriate happened to her in the church parking lot.

She took a deep breath and held it, laced her hands together behind her back, and struck a pose. In her peripheral vision she could see her breasts prominently displayed for Reggie’s consideration. God, she thought, I’m such a slut.

“I hope you’ll like it here,” she continued.

Reggie’s eyes never left her face. “I already do.” He took her hand again briefly, smiled, and said, “See you next Sunday.”

Zelma called after him. “I’m usually here for prayer meeting on Wednesday.”

He turned, waved, and got into the car where his parents were already waiting.

…..

Jeff got the official bad news on a Wednesday night in December, though he’d seen it coming—the way Zelma practically threw herself at Reggie. He’d miss the make-out sessions, sure, but they’d been fun while they lasted. Hell, he’d probably experienced more than any other guy in the seventh grade, and he was doing pretty well with the girls in his class, too.

In the last few months, he’d earned something of a reputation due to his prowess at “Seven Minutes in Heaven.” This more-adult version of “Spin the Bottle” had become a popular ice breaker at many of the eighth-grade parties.

He looked out into the darkness beyond the Chevy’s windshield. “It was a lot of fun,” he told her and meant it. “And I hope you and Reggie will be happy together.”

“Thanks for understanding.”

She started to get out of the car, but he stopped her.

“There’s just one thing.” He grinned at her and stroked the back of her hand with a forefinger. “I never got to … you know.” He nodded toward her chest.

“They were never part of the deal,” she said.

“I know. It’s just that … well, I thought maybe someday …”

She nodded, leaned over, and kissed him tenderly on the lips. “Don’t worry, Jeff. There are lots of girls out there. You’ll have plenty of other chances.” Then she left him alone in the dark.

Even with his newfound confidence, Jeff wasn’t so sure that was true. Kissing was great, but it wasn’t petting, and it was still light years away from what seemed the ultimate—and most likely unattainable—goal in his thirteen-year-old mind.

…..

Things hadn’t gone quite the way Zelma had planned. Reggie, it turned out, was an accomplished soloist and practiced with the choir on Wednesday nights. So, instead of kissing—or whatever—in one car or the other, she ended up staring at Reggie from a church pew.

They sat together on Sunday mornings and evening services and held hands during the prayer meeting service before choir practice. So close and yet so far, she thought.

By the middle of January, her frustration was beginning to show. They’d managed to duck into the darkened church annex for a furtive, all-too-infrequent embrace before choir practice started. Reggie’s sweet, lingering kiss left Zelma’s heart racing. She literally ached for more.

“Can’t you get your father’s car?”

Reggie shook his head. “I haven’t had my license that long. He only lets me drive during the day.” He twisted a strand of Zelma’s hair around his finger, then let it go and watched as the ringlet spun free.

“That’d be okay. Maybe we could drive up to the lake or somewhere.” She slipped her arms around his waist and pulled him tight against her body. “I’m sure there are places we could go and park even during the day.”

He kissed her again lightly, then brought her hand up to his mouth and pressed his lips to the back of it. “Sure. I’ll see what I can work out.”

…..

The church hayride was on a chilly Friday night in mid-February. Jeff tossed two wool army blankets up onto the truck’s hay bed and boosted Frieda up into the back, enjoying the view.

She hugged herself and shivered. “I’m freezing.”

Jeff covered her shoulders with a blanket and said, “C’mon, let’s find a good place.” He guided her to the front of the truck, and they hollowed out a shallow nest in the hay, away from the wind and right behind the cab.

Since that night in December when Zelma had told him about Reggie, Jeff had begged off the Wednesday night prayer meetings, using homework as his excuse. Now he surveyed the two dozen or so kids climbing onto the truck and picked out Zelma and Reggie. Zelma looked excited and Reggie, well, he looked perfect as usual in his car coat and matching muffler. Jeff was glad he’d asked Frieda to come.

…..

Zelma saw Jeff and his date and wondered who the blonde girl was. Nobody from church, she knew, so she must be from the junior high. She led Reggie by the hand and settled in the hay a few feet from the couple.

“Hi, Jeff.”

Jeff was wrapping himself and the girl in blankets. He had spooned up to her backside, and she was pulling his arm around her.

“Hi, Zelma. Hi, Reggie. This is Frieda.”

The girl smiled at them and snuggled closer to Jeff.

Zelma nodded to her and moved closer to Reggie.

As the truck pulled out and darkness fell, the couples huddled together under blankets, coats, hay, and – for those furthest from the chaperons who kept watch from the tailgate area– each other.

Sometime later, Zelma noted that Jeff and his little friend rarely came up for air.

She slid down in the hay and pulled Reggie along with her.

…..

Jeff was in his bedroom studying when the phone rang. It was Zelma. She was crying.

“What is it?”

“He broke up with me,” she wailed into the telephone. “For no reason! He just broke up with me.”

He listened quietly while she sobbed into the receiver.

Finally, she took a deep, uneven breath. “I need to talk to someone. Can I come down there?”

Jeff was alone in the house. His father worked second shift at the enamel plant and his mother had gone on Thursday night “visitation” with ladies from the church.

“Sure. C’mon down.”

A few minutes later, he answered the door, and she fell into his arms weeping. Her eyes were red and puffy, her face mottled.

She sobbed openly, burrowing into his chest, sucking in air in short, body-jerking hiccups and letting it out in a keening little cry. He held her tightly for a while then, when her spasms had subsided, led her to the couch and sat down beside her.

“Tell me what happened,” he said, stroking her hand.

She looked down at the floor, silent for almost a full minute before she spoke.

“He called me on the telephone. The jerk! He called me and told me it wasn’t working for him, that we weren’t right for each other.”

Tears cascaded down her cheeks again, and she sniffed and wiped her nose with the back of her hand. Jeff watched quietly as she took another breath and turned to look at him.

“I guess our kissing practice didn’t work,” she said. “I wasn’t good enough or wasn’t pretty enough. I couldn’t love him the way he wanted.” She stared blankly at the wall in Jeff’s living room. “God, he was so beautiful. I would have let him do anything—anything he wanted.”

Jeff stood up and took her by the hand. “C’mon.”

He led her back to his bedroom, and she stood there while he combed through a rack of forty-fives on the bookcase. He made his selections and stacked them on the record player. There was a pop and a hiss, and then Elvis began singing “A Fool Such As” I low and slow.

He took her hand again and pulled her to him, and together they swayed to the music for what seemed a long time. In the background, Elvis was telling his girl that he was a fool, but that he’d love her until the day he died.

Zelma was crying again and Jeff could feel the wetness from her tears on his cheek and neck as they danced.

“Why couldn’t I have been prettier?” she whispered

Jeff didn’t know if she was asking him the question or herself. How did you tell a girl she wasn’t pretty enough to snag a snake charmer like Reggie? He was quiet, moving slowly to the music as he gave it some thought. He pictured Reggie in his mind, the ever-so-stylish clothes, the perfect pitch of his solos on Sunday mornings, and in a minute the nucleus of an idea began to grow.

“There was no way you could ever have been pretty enough for Reggie.”

“What do you mean?” Even with her continuing to sniff in his ear, Jeff caught the edge in her voice. He moved his hand tenderly over her back, calming her.

“What I mean is that not you—or any other girl—is ever going to be pretty enough for Reggie.”

Zelma stopped moving to the music. She frowned and tilted her head to one side. “What?”

Jeff looked directly into her eyes. “Zelma, the guy’s a queer.”

She blinked rapidly a few times.

“What?”

“He’s queer. He likes guys.”

She stood motionless, silent.

“Look at him,” Jeff said. “He’s too pretty. Look at his hands. Look at his eyelashes. He even has little feet.”

There was a clicking, mechanical noise as another forty-five dropped into place and struggled for purchase on the spinning turntable.

She shook her head in disbelief. “But … we kissed. We … made out—sort of. He didn’t seem …” She searched for the right words. “I never thought …”

Jeff continued. “He was just trying a girl on for size—wanted to see what it was like.” He shrugged. “Heck, I guess it’s possible he doesn’t even know.”

Elvis chimed in then with the melancholy sounds of “That’s When Your Heartache Begins,” and Jeff nudged Zelma with his hip to get her moving again.

They circled slowly on a three-foot dance floor between the bookcase, the bed, and a chest of drawers. Neither spoke for a while.

“You know,” she finally said, “he never did start the kissing stuff. It was always me, now that I think about it.”

Jeff let his lips trail almost imperceptibly over Zelma’s blotchy cheek. “And he seemed awfully concerned about his clothes and hair, and all that,” Jeff added. “Did you ever notice how he crossed his legs at his knees?”

She’d quit sniffling. “Yeah, that’s right! And …” She looked up at Jeff again. “And his feet are little!” And then she laughed.

Another record dropped.

Jeff tilted Zelma’s chin up with his hand and kissed her softly. Her mouth was warm and still slightly salty from her tears. He felt her hand travel up his back. Her fingers toyed with the bristly hair at the nape of his neck.

There was a familiar hiss as steel touched vinyl, and then the first chords of “Don’t” began to fill the room.

Zelma’s eyes were closed. Jeff touched his lips lightly to each eyelid and whispered, “So … does this mean we can get back to our Wednesday nights again?”

She paused only for a moment. “Uh huh, if … if you’re sure you want to.”

“Oh, I want to. I never quit wanting to.”

He leaned down, took her lower lip between his teeth, and bit down on it just a little. She sighed and moved against him. He slid his hands up from her waist, along her ribcage, and his thumbs caressed the swell of her breasts. She took a deep breath, let it out, and hugged him tighter.

He smiled to himself over her shoulder, and began speaking softly in Zelma’s ear in time with the music. He knew all the words by heart, but he improvised just a little. “Believe this, Zelma. I’ll never leave you. Heaven knows it, too. Baby, don’t say don’t.”

  

 

 

ElvisBlog readers:  If you enjoyed “Baby, Don’t Say Don’t,” and would like to read more short stories by Bob Strother, please check out his book Scattered, Smothered, and Covered.  http://mainstreetrag.com/BStrother.html

 

The Movie Theater: One Building Elvis Will Never Leave — Part 3

Once again, it is time to thank John Biefuss at GoMemphis.com for the research he does each year which makes possible this series of ElvisBlog articles.  As the movie critic for the Memphis Commercial Appeal, he sees every movie that comes to town.  And since that town is the home of Elvis Presley, he makes note of every Elvis connection in those movies.  Each year during Elvis Week he presents his “Elvis Allusions in the Movies” column.   An allusion can be an Elvis song in the soundtrack, a picture of Elvis in a scene, a Jumpsuit or other Elvis-related item.

Here are ten movies that had Elvis allusions in the past year.  Unfortunately, there are none where Elvis was actually a character in the film like in “Lonely Street” last year.  Likewise, there are no films just loaded with Elvis like Duane Johnson’s comedy “The Game Plan.”  We’ll have to settle for more obscure Elvis connections.

The Runaways:

This is one of the five movies on the list I have actually seen.  I wanted to see how Elvis’ granddaughter Riley Keough did in her small part as the sister of Cherie Currie (Dakota Fanning), the lead singer for the band.  Riley did a creditable job as Marie Currie, who stays home and takes care of their ailing dad, while Cherie goes off on tour with the band.  In a couple of scenes, Riley’s beautiful face showed a resemblance to Priscilla.  She certainly looks more like him than Elvis.  Riley has now done a couple more films, including the next  Mad Max sequel.  This girl is going to be a movie star.

 


Dakota Fanning and Riley Keough

The Elvis allusions in “The Runaways” are verbal.  Early in the movie, Joan Jett is wearing a rockabilly outfit, and she asks a friend, “Who am I?”  The friend answers, “Elvis.”  The band has a flamboyant, creepy record producer guiding their career.  In one of his motivational rants he says, “Elvis and Priscilla got divorced, the president is a prowler, and all the housewives are talking to the plants.”  I’m really not sure that would inspire anybody in real life, but it did in the movie.

 

 

Looking For Eric:

This movie also uses an Elvis allusion as a motivational device.  Real-life soccer star Eric Cantona plays a sort of ghostly, inspirational, magical muse.  He points at a stereo, and Elvis’ “Blue Suede Shoes” starts to play.

 

 

Up In The Air:

The Elvis allusion in this film is so small and is on screen for just a second, so John Biefus must have the most incredible powers of observation.  I watched “Up In The Air” on DVD, and it took the use of rewind and pause for me to find what he saw.  In the movie, George Clooney’s sister is getting married, but the couple couldn’t afford to go on a honeymoon.  So, months ahead of time, they gave three-foot photo cutouts of themselves to all wedding guests and asked them to photograph it in front of any place they travelled.  Clooney got several shots, including in front of the St. Louis Airport and the Luxor Hotel in Las Vegas.  At the wedding, all the photos were pinned to a large bulletin board.  When Clooney pinned up his photos, one was right next to a shot in front of the gates of Graceland.  It would have been better if that had been one of his photos.

 

 

When in Rome:

In this screw-ball romantic comedy, Kristen Bell plays a young curator at the Guggenheim Museum in New York, and she is in charge of putting on a very important exhibit.  All of her romantic entanglements seem destined to sabotage the project, and her boss, Angelica Houston, keeps telling her she will lose her job if a key artwork doesn’t get there in time.  At her peak of frustration, Houston says, “I’ll see that the only artwork you’re ever allowed near are the velvet Elvis paintings on sale in Times Square.”  I never knew that Velvet Elvises were sold in Times Square, but that pretty cool news.

 

 

Paper Heart:

I never saw this one, but John Biefus describes it well. “In the insufferably cute looking-for-love semi-documentary “Paper Heart,” comic Charlyne Yi visits the Graceland Wedding Chaopel in Las Vegas, where Elvis impersonator Brandon Paul presides.  He reappears at the very end of the film, after the credits to say ‘Thank yuh very much.’  Also in Vegas, we see the Little White Chapel, where you can pose for pictures in a car labeled ‘A Tribute to Elvis.’”

 

 

Percy Jackson and the Olympians:

I really liked this combination of comedy, road trip, and sci-fi.  When Percy and his friends arrive in Las Vegas and head into the Lotus Hotel Casino, the soundtrack blasts Elvis’ remixed version of “A Little Less Conversation.”  It cut off a little too soon to suit me. 

 

 

 She’s Out of My League:

The Elvis allusion in this romantic comedy is pretty minor.  Before a trip to Branson, Missouri, the obnoxious girl friend of the lead character announces, “On Saturday night, we’re going to see both of the Elvis tributes.”  Sounds like a great night to me.

 

 

A Single Man:

During a classroom sequence set in 1962, a college professor laments, “Fear is taking over the world.”   He disparages several phony worries like fear of minorities and fear of Communists.  He should have quit there, but he went on to include the fear of Elvis Presley’s hips.  Then he made it worse by saying, “Actually, that one may be for real.”  Actually, that one is stupid.

 

 

Kick-Ass:

An Elvis song is featured in this violent comic-book adaption.  There is a climactic action scene where the teen superhero named Kick-Ass is wearing a jet pack and flies into roaring flames to rescue Hit-Girl from the treacherous Red Mist (love these names).  Believe it or not, Elvis’ version of “Battle Hymn of the Republic” plays during this for comic effect.

 

 

Daybreakers:

I haven’t seen this vampire movie, but the plot description has me intrigued.  In the future, vampires have taken over the world, but now they are running out of mortals for their food supply.  Of course, there is a pocket of non-dead survivors led by Willem Defoe who could save the human race.  Defoe’s character is nicknamed Elvis, and at one point he sings a few lines of lyrics from “Burning Love.”  Dafoe later talks about how vampires can be killed by the daylight, and says, “Elvis once said, ‘Truth is like the sun – you can shut it out for a time, but it ain’t going away.’”  I can’t wait to watch a movie where a man named Elvis is the last hope to save humanity.

 

©  2010    Philip R Arnold, Original Elvis Blogmeister    All Rights Reserved    www.ElvisBlog.net

Elvis, Elvis Presley, and Graceland are registered trademarks of Elvis Presley Enterprises, Inc.

 

Two Very Rare, Weird, and Valuable Elvis Records

I started collecting record albums back in the 80s when CDs took over as the dominant music format. When people bought CD players and started building CD libraries, their old LPs and 45s languished in disinterest.  Ultimately, many people sold their record collections at garage sales.  For years, I was a regular Saturday morning scavenger, hitting as many garage sales as possible, looking for records.  Sometimes I would buy selectively, and sometimes I would make an offer on everything they had.

Ultimately, I ended up selling my doubles and other unwanted albums at record shows in Atlanta, Charlotte, Ashville, and my hometown of Greenville, SC.  I had a partner in these ventures, and sometimes I would leave her minding our tables while I roamed the floor looking for deals on Elvis albums and 45s.  I built up a substantial collection I am quite proud of.

To learn more about the hobby, I subscribed to a record collecting magazine called Discoveries.  For twenty-five years I have read hundreds of articles and learned of several super Elvis rarities worth big bucks.  Despite all the record shows I attended, I have never seen anything that rare or that valuable.  They seemed to be the exclusive providence of the big collectors, who scooped them up whenever they appear on the market.  I’ve thought about doing blogs on some of these Elvis rarities, but it would be a real chore to go back through 600 old issues of Discoveries to find the background information I’d need.  Plus, the lack of quality color photos to illustrate any articles cooled my enthusiasm.

Now, two of these very rare, very weird, and very valuable Elvis records have come up for auction in Memphis during Elvis Week.  Heritage Auction Galleries calls 2010 the Year of The King, and to celebrate his 75th birthday, they are conducting the Ultimate Elvis Auction live at The Peabody Hotel.  The final bids will go in on August 14.

image 



Here’s what Heritage has to say about their Ultimate Elvis Auction:

Every year, [we] present selections of Elvis memorabilia as unique and superior as the legacy of The King himself.  Now, in this milestone year, we're taking it to another level.

Indeed, Heritage has put excellent hi-def photos of all items in their on-line catalog, so let’s take a look at two really cool Elvis records.


Elvis Shares an Album with Jaye P. Morgan –  What?

image 

Elvis Presley and Jaye P. Morgan Promo Double Disc EP 1956

The picture above is not two albums photographed side-by-side.  Rather it is what is called a gatefold double album that has been opened up to show the back and front covers.  Think of it as a skinny book with Elvis on the front cover and lounge singer Jaye P. Morgan on the back cover.  Inside each cover is a pocket containing a 45 RPM record.  However, each disc is an EP (Extended Play) record with two songs on each side.  Elvis released several dozen EPs in the 50s and early 60s, and I own copies of almost all.  They were like mini-albums kids could play on their personal 45 RPM record players (usually found in their bedrooms.)

image

Personal 45 RPM Record Player, Usually Found in Teens’ Bedrooms



Here is the original Elvis EP with the four song titles across the top: “Rip It Up,” “Love Me,” “When My Blue Moon Turns to Gold Again,” and “Paralyzed.”  There is an interesting bit of trivia about “Love Me.”   Although it was never released on a regular two-song record, “Love Me” reached # 2 on the Billboard chart.  Jukebox and disc jockey play clearly showed which of the four songs was the big winner.

image 

1956 Four-Song Elvis EP Album

So, why did RCA combine eight songs from two different artists on this strange product?  Like many other rarities, it was a promotional item.  RCA was trying to do two things.  Mostly, they wanted to convince retailers to carry Rock and Roll records in addition to those of crooners like Bing Crosby and Dinah Shore.  This double disc promo was wrapped horizontally with a 1.25″ wide paper band which contained a multiple choice question (with check-off boxes):

“One of these albums sold… two, four, ten, twenty, hundred, or thousand… times better than the other… which one?”

The album contained an insert with the answer:

image

 

To facilitate their other goal, RCA also listed some facts inside intended to convince retailers that did not already sell records that they should:

image 

So, what is this rare Elvis promo record worth?  Heritage Auction Galleries has listed the minimum starting bid at $6,000, and they estimate it will bring $12,000 or more.  Based on the prices of those other Elvis rarities I read about, I think it will do that easily.

Elvis in the Grooves, The Whispers on the Label:

Once or twice before, I have commented on ElvisBlog about how auctioneers have made really low estimates about what certain Elvis memorabilia will bring.  Well, this is another one.

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“Doncha’ Think It’s Time” by Elvis – pressed on disc with The Whispers label.

This is a picture of a 45 RPM record.  You can see that the label clearly says the song is “One For The Money” by The Whispers.  However, the song pressed in the grooves is Elvis’ minor hit “Doncha’ Think It’s Time.”   Screw ups like this create valuable collectibles, especially if Elvis is involved… and, especially if there are only two of them in existence.

We are talking about a very rare, very desirable record here.  The auction minimum bid is $1,500 and the estimate is $3,000 and up.  I’m betting it will be way up.

So, what’s the story on this Elvis record anomaly?  It dates back to 1976 when RCA’s Indianapolis plant wanted to test a new process whereby all label information was actually stamped, or embossed, right into the vinyl itself, rather than printed on paper which was glued to the disc.  The result of this stamping process was slightly raised lettering, similar to Braille.  Somehow, they had the technology to incorporate different shades of gray into the embossing process, so all the printing you see above is right on the disc.  Because RCA’s record labels were basically black and white, unlike the multi-colored labels of most other record companies, they could be simulated in the embossing.

This experiment did not give the intended result and the idea was scrapped, but three test copies were kept to substantiate the results.

The description of the record on the Heritage Auction website is about two of these.  The other information they reveal does not fully explain how we got Elvis songs on Whispers records.  Here is what they say, for what it’s worth.

Both sides of the disc play the original 1958 Elvis hit, “Doncha’ Think It’s Time.”
However, the “label” imprint is for “One For the Money,” a 1976 soul single by the Whispers — a convenient hit record being produced at that same time.

Obviously, there is more to the story.  Why would the flip side of Elvis big 1958 hit “Wear My Ring Around Your Neck” be on a record produced in 1976?

image

I spoke with Jerry Osborne, famous music historian, writer, Elvis collector and memorabilia marketer.  At one time he owned all three of these strange records.  The third one had Elvis’ song “What’d I Say” on it, with the same Whispers song information on the disc.  Osborne sold it and one copy of the “Doncha’ Think It’s Time” record to a major private collector, and so far, they haven’t come back on the market.

All I know is – this is one very rare, unique Elvis record, and it should bring well over $3,000. 

©  2010    Philip R Arnold, Original Elvis Blogmeister    All Rights Reserved    www.ElvisBlog.net

Elvis, Elvis Presley, and Graceland are registered trademarks of Elvis Presley Enterprises, Inc.

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The Graceland Stained Glass that Really Isn't… and the Elvis Stained Glass that Really is

Earlier this week there was a story in the Memphis Commercial Appeal about the discovery of four stained glass panels that were once part of a set with those in the Meditation Garden at Graceland.  Below, you can see the other four square panels in the curved brick wall overlooking the graves.

                   

Stained Glass Panels in Curved Brick Wall at the Meditation Garden

The Meditation Garden was built by Memphis artisan Bernard Grenadier.  He bought a set of eight nineteenth-century glass panels in Spain in the early 1960s.  As you can see below, they are Moorish in design with somewhat religious depictions.  Mr. Grenadier selected the four best to use at Graceland, and later he used the other four in another Memphis house.

Mike Witt, the home restorer who bought this house back in 2001, did not find out until recently the history behind the four stained glass windows it contained.  He has been offered $1,000 for them and has turned it down.  He has been told they are worth a fortune, so he has created website http://theelvisglass.com to offer them for sale and see what kind of offers come in.

                           
   

                            
           

I hope Mr. Witt gets lots of money for them, but I just don’t get why they are such a big deal.  Sure, they are very old, dating from the 1800s, and they are beautiful.  However, it is the Graceland connection that seems to give them special value.  But, why?  The four panels were never part of Graceland.  They were the ones not selected for the Meditation Garden.  For Elvis fans with big bucks to spend on Elvis collectibles, there sure are lots of better options.

Now you see why I selected the first part of this article’s title.  The second part of the title was inspired by a visit I made years ago to the Hard Rock Café in Salt Lake City.  It had a huge stained glass window depicting Elvis.  Since then, I have looked for photos of other Elvis stained glass windows in Hard Rocks around the world.  Because stained-glass is in the news, this is a good time to blog about them.

 

                                   

Salt Lake City                                                    Beirut, Lebanon

Ottawa, Canada

                             

Fukuoka, Japan                                                             Glorietta, Philippines

                                

Rome, Italy                                                                       Paris, France         

You may have noticed some similarities between the windows at Salt Lake City, Paris and Fukuota, Japan.  Well, here are five others that are all variations of the same design, Elvis in his Gold Lamé Suit seated on a throne, obviously done by different artisans.  In Dallas, this has been referred to as St. Elvis, but elsewhere, it is King Elvis, no doubt in reference to the gold crown and the words “The King.”  Very subtle.

        

Beijing, China                     Boston                                Dallas      

                   

 Orlando                                           Washington, DC

I have one last stained-glass picture that has nothing to do with Elvis or Graceland, but it’s been saved in my files for some time, and this will probably be the only chance to use it.  How do you like the Salvador Dali inspired snake guitar at the Hard Rock Café in Baltimore?

Snake-like Guitar in Baltimore

 

©  2010    Philip R Arnold, Original Elvis Blogmeister    All Rights Reserved    www.ElvisBlog.net

Elvis, Elvis Presley, and Graceland are registered trademarks of Elvis Presley Enterprises, Inc.

 

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