Category Archives: FRIENDS of ELVIS

More Gordon Stoker Stories

In the ElvisBlog tribute to Gordon Stoker last week, not much biographical material was given for this legendary musician.  So, here’s a little history.  Gordon was not a charter member of the Jordanaires vocal group when it formed in 1948, but he joined soon after and became the leader for the next six decades.  Gordon backed Elvis on his first RCA recording, “Heartbreak Hotel,” and the Jordanaires sang on almost every song Elvis recorded for the next thirteen years.

 

On Stage in Jailhouse Rock

Here is Gordon (right) doing a little dance move in Jailhouse Rock.  The Jordanaires also appeared in King Creole and G.I. Blues.

 

Gold Jacket - Gordon and Jarret

In addition to recording with Elvis and appearing in movies with him, the Jordanaires also backed him in concert.  Here are Gordon Stoker and Hugh Jarrett behind Elvis in his famous gold lamé jacket.

The Jordanaires did backing vocals for many other singers, including Marty Robbins, Patsy Cline, Jim Reeves, George Jones, Loretta Lynn, Tammy Wynette, Dolly Parton, K. D. Lang, Willie Nelson, Merle Haggard, Ricky Nelson, Ringo Starr, Chicago, Neil Young, Jimmy Buffett, Connie Francis, the Judds, and Vince Gill.  It has been estimated that songs with their backing vocals have sold over 2.6 billion records.

 

During my meatloaf meal with Gordon Stoker, he took my phone number and e-mail address, but I never thought I would actually hear from him.  Well, a few years later he called me to correct a mistake I had made.  The story is a little involved but here it is.

For years, I liked to make CD music compilations and send them to friends at Christmas.  One was called “Elvis Songs by Other Artists,” and it contained two covers each by Jerry Lee Lewis, Bill Blacks Combo, Scotty Moore, the Jordanaires, and others.  However, four of the songs came from Scotty Moore’s 1968 album, The Guitar That Changed the World.

The Guitar that Changed the World

Scotty had called upon old buddies like DJ Fontana and the Jordanaires to help him out with the album.  You would consider most of the songs instrumentals, even though the Jordanaires repeated their original vocal backing parts.  However, on two songs, Gordon and the boys replaced Elvis doing the vocal lead.  These sounded more like Jordanaires’ songs, so I labelled them on my CD that way.

I thought Gordon Stoker would enjoy hearing the compillation and I sent him a copy.  A few weeks later, he called me and said I had it wrong.  He insisted those two songs were not sung by the Jordanaires; it had to be someone else.  So, I explained about them coming from Scotty’s album, and he thought about it and finally said, “Yeah, you’re right.”  After that forty-year-old memory came back to him, he was happy and we had a nice conversation.

 

Over His Shoulder

The last Gordon Stoker story is a little tricky, but I’ll try to write it so it doesn’t offend anyone.  See this picture of Elvis at the piano with the Jordanaires around him.  Knowledgeable fans know Elvis liked to wind down after concerts by singing Gospel music for hours.  Gordon told me a story about one of these sessions.

Bill Black was hanging out with everybody one night while the Gospel singing went on.  He was something of a prankster, and he noticed Gordon was leaning against the side of the piano with his hands behind his back.  One hand held the other, and the upper hand was in a cupped position.  Bill Black moved behind Gordon, who was really focused on the singing.  Black quietly opened his fly and gently placed his penis on Gordon’s cupped hand.  Gordon was so into the singing that he didn’t notice.  Of course, the giggles from everyone else finally gave him a clue and he saw what was going on.  Gordon said everybody broke into raucous laughter.

 

Inducted into Country Music HOF 2001

All of the photos so far have been of Gordon Stoker as a young man.  Let’s look at some more recent shots, starting with the one above from 2001 when the Jordanaires were inducted into the Country Music Hall of Fame.  The fellow in the center next to Gordon is Ray Walker, who replaced Hugh Jarrett as the bass singer in 1958.

 

Phil and the Jordanaires  2007

This photo was shot before the Elvis Week 2007 concert, “The Last Man Standing.”  It was a tribute to Scotty Moore, the last man remaining from the Sun Records recording session on July 5, 1954, that started Elvis on his way.  The concert was also the last time Scotty ever performed on stage.  That’s me wearing my all-access pass and standing behind Gordon.  In 2004, I got autographs from all the performers, but in 2007, I was smarter and got photos with everybody.

That was the last time I ever saw Gordon Stoker.  I was unable to attend Elvis Week 2012, but once again he was part of another concert promoted by Darwin Lamm.  Declining health made it necessary for Gordon to be brought on stage in a wheelchair, and I am told the audience reception was emotional and huge.   Boy, I wish I could have been there.

The last photo comes from 2008 and features Ray Walker and Millie Kirkham along with Gordon Stoker.  Millie was the high soprano voice behind Elvis for fifteen years, starting with the 1957 Christmas album.

 

Gordon, Millie and Ray 2008

I have some concert stories about Ray and Millie, too.  They are not as old as Gordon, but in the back of my mind, I know I will be writing tributes to them as well someday.  It saddens me how we keep losing folks from Elvis’ world.

 

©  2013    Philip R Arnold, Original Elvis Blogmeister    All Rights Reserved    www.ElvisBlog.net

 

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Remembering John Wilkinson

Former TCB Band member John Wilkinson passed away last Friday, January 12.  Over the following weekend, many Elvis websites noted his passing with biographical information and photos of him performing with Elvis in the 70s – like this one.

On Stage with John - Copy

ElvisBlog’s tribute to John Wilkinson is a little late because I had to make arrangements to secure the following photo from the graphic designer for Elvis International magazine.

25th Anniversary Concert Elvis Week 2002

The shot was taken during the one of three concerts presented by Darwin Lamm for the 25th Anniversary celebration at Elvis Week 2002.  This concert featured the TCB Band with Terry Mike Jeffrey (left) handling the vocals.  Continuing to the right, there is Jerry Scheff, James Burton, John Wilkinson, Marion Cocke, and Larry Geller.  A little bit of Charlie Hodge’s plaid shirt is visible behind Terry Mike Jeffrey.

The reason I wanted to feature this photo is because this is the only time I ever saw John Wilkinson.  The four re-united TCB boys, Scheff, Burton, Ronnie Lott, and Glen D. Hardin were the main draw, but there were lots of old Elvis friends who had time on the stage.  Most said a few words, but with John Wilkinson, it was different.

 

Me at the Legends Concert -- 2002

Me sitting next to Johnny Memphis, part-time Elvis tribute artist, former Graceland security guard, and supposely Jerry Lee Lewis’ second cousin.

I was sitting in a front row seat, a nice comp from Darwin Lamm for all those Elvis International magazine article articles I wrote for him.  So, I could practically reach out and touch the performers.  At such close range, I could really see the interaction between the folks on stage.  It was like a reunion — one big happy family.

When John Wilkinson was announced, he walked out slowly using a cane.  He held his left arm stiffly at his side.  I didn’t know it at the time, but John’s condition was the result of a stroke he suffered in 1989.  You could tell it was a very emotional moment for the others on the stage, and soon it spread to the entire audience.  There’s a lot of love in the world for members of the Elvis circle, and John Wilkinson certainly felt it that night.

 More Farewell Concert

Wilkinson spoke for a bit, but his big moment was when he sang “Early Morning Rain.”  The song had been associated with him since the Elvis concerts of the mid-seventies.  When Elvis introduced the band members, he would say, “From Springfield, Missouri, my rhythm guitar player, John Wilkinson.  Play it, John,” and Wilkinson would launch into “Early Morning Rain.”  I don’t know if John got standing ovations for it in the seventies, but he sure did in 2002 at that Elvis Week concert.  Very moving.

 

John Wilkinson Backstage Pass

 

Here are some more photos of John Wilkinson at work with Elvis.

Elvis and TCB Band All in White

Rehersal For That's the Way It Is July 1970

Rehersal for “That’s the Way It Is” – July 1970

Elvis and John Wilkinson 1977

John Wilkinson’s passing reminded me of an injustice that has lingered on for more than a decade.  The Rock and Roll Hall of Fame honored James Burton by inducting him into the Sideman category in 2001.  Every year since, I have hoped the other four members of the TCB Band will be inducted as well, but it never happens.   And, if it does finally happen, John Wilkinson will not be around to enjoy it.  Jerry Scheff, Ronnie Tutt, and Glen D. Hardin are not getting any younger.  It is time for the Roll Hall to honor the entire TCB Band.  To read more on the Hall of Fame’s snub of these bandmates, click here, here, and here.

 

John Wilkinson on Stage with TCB Band

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Good bye, John Wilkinson.  Say hi to Elvis for us.

John Wilkinson in the 70s

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©  2012    Philip R Arnold, Original Elvis Blogmeister    All Rights Reserved    www.ElvisBlog.net

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Elvis, Elvis Presley, and Graceland are registered trademarks of Elvis Presley Enterprises, Inc.

 

Goodbye Lamar Fike

It has now been over a week since the passing of one of Elvis’ oldest friends.  Lamar Fike died from complications of lymphoma on January 21.  Sorry it took so long to post a fitting tribute to him. 

Lamar Fike was an intriguing member of Elvis’ Memphis Mafia, and he is notable for several reasons.  At 270 pounds, he was certainly the heaviest member of Elvis’ entourage.

There is some confusion about how Elvis and Lamar had their first contact.  According to one report, Lamar first met Elvis by just hanging around the front of his house at 1034 Audubon Drive in Memphis until he was finally invited in.  Elvis lived there from May 1956 to March 1957.  However, it is likely that Elvis and Lamar first met in 1954 at Sun Studios.  Nineteen-year-old Fike was learning how to be a disc-jockey under the tutelage of George Klein, a classmate of Elvis’ and one of his friends.  Klein and Sam Phillips introduced Lamar to Elvis
  
With the exception of Klein and Red West, another of Elvis’ friends from high school, Lamar Fike knew Elvis the longest. Klein never lived at Graceland or worked for Elvis, but he remained a lifetime friend.  West was a year behind Elvis in high school, stayed friends with him after that, and become part of the earliest Memphis Mafia in 1960, as did Lamar Fike.

Jamming at Graceland, August 1957.  Fike on left.  Back of Anita Hill’s head at bottom.

 

In 1958, during the filming of Jailhouse Rock, Elvis was hospitalized for swallowing a cap for his tooth.  When Lamar learned about it, he got in touch with Elvis, who immediately told him to fly out to Hollywood and join him.

 

Lamar Fike and Elvis at RCA studio in Los Angeles during soundtrack recording.

After the movie wrapped, Elvis brought Lamar to Graceland, and he was the first friend to be given a room in Graceland.  So, Elvis had his pal around full time.

When Elvis was drafted, Lamar tried to enlist so he could be with Elvis, but he was turned down because of his weight.  However, Elvis took care of that problem.

Elvis was transferred to an Army post in Germany later in 1958, and he asked Lamar  to come over on the plane with Elvis' father and grandmother Minnie Mae.   Fike stayed and became part of Elvis’ extended family.  While in Germany, Lamar endured many jokes about his big size and served as the court jester for Elvis and other friends.   Elvis could kid him without Lamar ever getting upset.  He was happy to be close to his idol, and Elvis genuinely liked to have him around.  The German press called him the “Wrestler,” but Elvis liked to call him “Buddha.”

                   

Elvis and Lamar Fike while on furlough in Paris, June 1959

 

After Elvis was discharged in 1960, Lamar returned with him to Graceland.  A group of Elvis buddies – Red West, Joe Esposito, Charlie Hodge, and Lamar Fike – morphed into what became known as the Memphis Mafia.  Other members came and went over the years.
  

Col. Parker, Elvis, Lamar Fike, Joe Esposito, and Charlie Hodge, June 1968.

Lamar’s responsibilities for the next year or so, while Elvis’ was off making movies, are not well documented.  It’s seemed like he just stayed at Graceland, keeping an eye on the place until Elvis returned during breaks from movie filming.   His job responsibility seems to have been simply to be Elvis’ buddy.

In 1962, Lamar left Graceland to become road manager for singer Brenda Lee.  The following year, he moved to Nashville to run the Hill and Range Publishing office.  This housed Elvis' publishing companies, so the connection with Elvis continued.

 

Lamar Fike at International Hotel, Las Vegas, 1969

 

Photos from 1969-70 period.

                  

Lamar Fike was definitely a big guy.

In the 70s, when Elvis was once again performing live, Lamar came back into the fold and was given the job as Elvis’ lighting director at the concerts.  He got to travel to Las Vegas and every other place Elvis performed.  On tour with the King.  Great job.  Occasionally, he also took care of transportation in Las Vegas and Memphis.

 

Elvis, Jerry Schilling, Lamar Fike, Joe Esposito

 

Lamar Fike Gives Elvis a Ride on Stage

Lamar eventually married, and moved out of Graceland, but continued in Elvis’ entourage until 1977.

 

Lamar Fike is on Far Left

The photo above is a promo still from the 2005 CBS miniseries Elvis, starring Jonathan Rhys-Meyers as Elvis.  The actor on the far left is portraying Lamar Fike.  The other guys, left to right, are Joe Esposito, Jerry Schilling, Red West, and Charlie Hodge.  Elvis had his Memphis Mafia boys dressing sharp when they were with him.

 

So, now we say goodbye to Lamar Fike.    ElvisWorld seems smaller as we lose another of his buddies.  But, I’ll bet Elvis was really happy to see Lamar show up in Heaven.

 

©  2010    Philip R Arnold, Original Elvis Blogmeister    All Rights Reserved    www.ElvisBlog.net

Elvis, Elvis Presley, and Graceland are registered trademarks of Elvis Presley Enterprises, Inc.

Loving You — Starring Scotty, DJ, and Bill (Plus Elvis, of Course)

I recently found something interesting on the website for a Rock and Roll memorabilia auction.  It was a movie theater lobby card from Elvis’ 1957 film Loving You.  Most Elvis movie cards and posters show pictures of him with one or more of his lovely female co-stars, but this one included Scotty Moore and DJ Fontana, his original guitarist and drummer.  I would guess neither man ever knew this lobby card existed, so I am sending copies to their webmasters.


Lobby Card showing DJ Fontana (far left) and Scotty Moore (far right)

 

Loving You was Elvis’ second movie, his first in color, and also the first of several (many?) where Elvis’ character was a singer.  There are elements in this film that are considered auto-biographical.  Elvis’ character, Deke Rivers, parallels Elvis’ start as a truck driver; for a beverage distributor in the movie and for an electric company in real life.  Once he starts singing in the movie, all the famous frenetic leg-gyrations and hip-swinging are there to produce loud squealing by the young girls in the audience.  There is even a female Col. Parker-like manager who gets Deke to sign a personal services contract giving her 50%.

The lobby card reminded me that all three of Elvis’ original bandmates, Scotty Moore, DJ Fontana and Bill Black, have considerable screen time in the movie, so I checked it out again to note all their appearances.  Within seconds after the opening credits finish, they are up on a town square stage, in a country band providing music for a political candidate.  DJ, unfortunately, is directly behind Scotty, and is not seen much.

Scotty Moore and a Politician – Bill Black in Background

 

After a few minutes of dialog by other characters, it’s back to the bandstand where we get a similar, but longer look at Scotty and Bill.  In fact, Scotty gets his best screen time in any of the Elvis movies — fifteen seconds in a close shot, standing beside the politician.

About seven minutes into the picture, Deke Rivers is persuaded to get up on the stage and sing a song. He chooses “Got A Lot of Livin’ To Do.”  This song is now used in Viva Elvis in the big trampoline sequence, which is generally considered one of the highlights of the Cirque du Soleil show.

Bill Black and Scotty Moore flank Elvis during “Got A Lot of Livin’ to Do”

 

At the eighteen minute point of Loving You, Elvis’ character is now a full time member of the band.  He sings “Let’s Have a Party.” Scotty again fares best with screen time, followed by Bill, and last again, DJ.

 

Bill, Scotty, Elvis, and DJ Playing “Let’s Have A Party”

 

However, DJ has a solo scene five minutes later when he comes out of a high school after a spring hop and removes the sign that announced the performance they just finished.


DJ Fontana in His Solo Scene

 

Seconds later, the band is presenting Elvis’ character a new guitar. Check out Bill Black, looking very dapper as he chomps on a long stogie. 


 
Bill Black Watching Elvis Get a New Guitar

 

About five minutes later, we see what is in essence a 1957 version of a music video. The beginning is striking, thanks to some very imaginative lighting used on Elvis.  The song, “Lonesome Cowboy,” changes mood and pace several times, and the three bandmates all get lots of screen time. The bad news is they are now a little farther back behind Elvis and in dimmed lighting. Near the end, DJ is clearly visible behind Elvis in a close shot, but you’ll never notice him, because Elvis does that incredible eye thing of his. This is where he bends his head down and looks out of the top of his eyes. Elvis’ presence in this scene is very powerful.

Elvis Singing “Lonesome Cowboy”

 

The next song in the movie is “Hot Dog.”  For a few seconds, the camera shot cuts off the actor members of the band and shows only Scotty, DJ, Elvis and Bill. It’s fun to watch Scotty, because smiles so much and seems to be having a wonderful time.  It is during this song that the manager creates a fake riot, very reminiscent of some of Col. Parker’s publicity stunts.

 

Scotty, DJ, Elvis and Bill Black Playing “Hot Dog”

 

The next appearance of Scotty, DJ, and Bill is in the scene that produced the lobby card.  The band is killing time on the road, and DJ and Scotty are at a table, playing cards with some other guys.  Bill Black is nearby in an armchair. He actually gets two lines of dialogue, including, “Hey, Deke. See the picture in the paper of the gals fighting over you?”
 

Bill Black Delivering his Speaking Part in Loving You

 

About 45 minutes into Loving You, Scotty, DJ, and Bill make their last appearance.  Elvis’ character sings “Teddy Bear.”  Although the band is visible, they are well behind him, and again the lights are dimmed until the song finishes.  In this scene, as others, the bandmates move their lips as though singing.  In truth, all the very fine vocal accompaniment in the movie came from the Jordanaires, an arrangement that would continue in many more Elvis films.
 

Taking a Bow after Singing “Teddy Bear.”

 

Scotty Moore, DJ Fontana and Bill Black also had significant screen time in Elvis’ third and fourth movies, Jailhouse Rock and King Creole.  It would be so cool to find lobby cards showing them in these films as well.  I’ll keep looking.

 

©  2010    Philip R Arnold, Original Elvis Blogmeister    All Rights Reserved    www.ElvisBlog.net

Elvis, Elvis Presley, and Graceland are registered trademarks of Elvis Presley Enterprises, Inc.

 

Elvis' Wedding Reception Redo

Lots of Elvis fans celebrate the anniversaries of events in Elvis’ life, including May 1, the day he and Priscilla married.  However, not many folks this week celebrated the forty-third anniversary of Elvis’ second wedding reception on May 29, 1967.  This event is pretty far down on the list of Elvis lore, but it is still an interesting story.

In her book, “Elvis and Me,” Priscilla Presley devotes a few pages to the special wedding party she and Elvis hosted in Memphis four weeks after they were wed in Las Vegas.  The most telling line was: “We threw a big reception at Graceland for all our friends and relatives.”  The italics were provided by Priscilla, to indicate she and Elvis were not happy with way some of the folks in their circle were excluded from the wedding ceremony.  She categorized them into three groups:

Those who hadn’t known about the wedding.

Those who knew but couldn’t attend.

Those who knew but weren’t invited.

Yes, there were a few people, especially among Elvis’ Memphis Mafia pals, who got cut out from the wedding.  And guess who cut them out – Col. Parker, who was running the whole show, as usual.

Elvis had assembled a large wedding party at his Palm Springs home the day before the wedding.  Then, two leased jets took everybody to Las Vegas.  Shortly before the scheduled time of the wedding, Col Parker advised most of Elvis’ entourage and their wives that there was no room for them at the ceremony.  They had to sit and wait until the reception room opened and they could join the celebration.

 

Here are the five Elvis buddies that actually got into the wedding:

        

             

Joe Esposito is no surprise.  He was Elvis’ tour manager and has been called Elvis’ best friend.  He was the logical choice to be Elvis best man.  However, Elvis actually had two best men.

Marty Lacker was the other.  He was Elvis’ personal bookkeeper and secretary.   This probably involved a lot of contact with Col. Parker, so my guess is that the Colonel liked him better than the rest of the guys and allowed him to be at the wedding.  Another guess that would logically follow is this:  Elvis knew there would be big trouble with the excluded guys if Marty Lacker got to go and they didn’t.  Do you think Elvis might have named Lacker Co-Best Man to justify him being at the wedding?

George Klein was a buddy of Elvis’ dating back to high school.  He did not work for Elvis, but he hung around a good bit with Elvis, and travelled with him sometimes, so his place at the wedding ceremony was natural.  If anybody should have been Co-Best Man with Joe Esposito, it was George Klein.  A few years later, Elvis was the best man at George Klein’s wedding

Billy Smith was a cousin on Elvis’ mother’s side.  He took care of Elvis’ wardrobe and served as his valet.  Billy and his wife lived in Graceland for many years.

Gee Gee Gambill was married to a cousin on Elvis’ dad’s side.  He had just married Elvis’ cousin three months earlier, but that gave him the family status it took to be assured a place at the ceremony.

 

So, Colonel Parker excluded some men very close to Elvis, most notably Jerry Shilling, Red West and Charlie Hodge.  In the photo below, you can see Shilling and Hodge (second from left and second from right, respectively) as they joined Elvis at the reception.  Red West was so furious about being excluded from the wedding that he refused to attend the reception.

Farther down on the pecking order, Alan Fortas and Lamar Fike did not receive invitations to anything.  Larry Geller first learned of the wedding from a supermarket tabloid (Parker really did not like him).

According to Priscilla, the second wedding celebration at Graceland was a lot more fun.  “Elvis and I wore our wedding clothes, greeted everyone, sipped champagne, and shared cake just as if the party were taking place after the wedding ceremony.”

                          

                    Cake at First Reception in Vegas                               Cake at Second Reception in Memphis

It would appear she had a lot less cake to share with a lot more people at the second party, but that didn’t really matter.  They had lots of champagne.  “It was much more comfortable and relaxed than Las Vegas.  Laughing and somewhat high from the champagne, we could really have a good time.” 

 

Elvis and Priscilla Enjoying Champagne at Their Wedding Reception Redo

 

“There were no photographers watching our every move.  It was fun seeing Vernon get loose.”   Here is a favorite memory Priscilla has from this reception:

“Daddy, you want some more champagne?”  Elvis asked, his eyes twinkling.

“Don’t mind if I do, Son.  That’s pretty good stuff.”

“Yeah.  Well, don’t drink too much.  I don’t want my daddy gettin’ in trouble.  I see that blonde you’ve been eyein’.”

Vernon stole a glance at the girl and, with the same twinkle replied, “She ain’t too bad, is she?  Think I’ll go see if she needs anything.”

 

Go for it Vernon, you old hound dog.

 

The New Bride and Groom Start their Honeymoon

©  2010    Philip R Arnold, Original Elvis Blogmeister    All Rights Reserved    www.ElvisBlog.net

Elvis, Elvis Presley, and Graceland are registered trademarks of Elvis Presley Enterprises, Inc.

Rock & Roll Hall of Fame Ignores TCB Boys Again

The Rock & Fall Hall of Fame announced the Class of 2010 inductees today, and for some reason, they skipped the Sidemen category.  This means that Jerry Scheff, Ronnie Tutt, Glen D. Hardin and John Wilkinson will have to wait at least another year to join TCB band leader James Burton in the Rockhall.  Frankly, I cannot figure out the logic the selection committee uses, but they continue their stupid record of keeping Elvis’ bandmates on hold.

 

Elvis, Charlie, Jerry, Ronnie, James and John (Glen is off frame to left)

 

As we have discussed on earlier blogs, the Rock & Roll Hall of Fame Sidemen category has a strange history.  It was started in 2000 with five inductees including Elvis guitarist Scotty Moore.  The next year, two more musicians were honored, including James Burton.  So, things started out good for Elvis’ bandmates.

In 2002 Chet Atkins was the lone honoree, and in 2003, three more musicians were added.  Fans started wondering when Bill Black and DJ Fontana would join Scotty, and when the rest of the TCB guys would join James in the Hall of Fame.  Five years later they were still wondering, as there were no new Sidemen inducted in 2004, 2005, 2006, and 2007.

In 2008 the Sidemen category was revived with a strange selection.  Little Walter was an exceptional blues talent and harmonica wizard, but his fame as a bandmate was with Muddy Waters, not any rock singers.

Finally, in 2009 DJ Fontana and Bill Black won their long overdue recognition and were installed into the Rock and Roll Hall of Fame.  Nine years after Scotty Moore was honored, Elvis’ full band from the 50s was finally together in the Hall.  It was then that I started to hope the same thing would happen the next year for the TCB Band.  Surely Jerry Schell Ronnie Tutt, Glen D. Hardin and John Wilkinson would join James Burton in a Class of 2010 Sidemen after their own nine year wait.

Ronnie Tutt, Glen D Hardin, and Jerry Scheff

 

I’m afraid not.  By skipping the Sidemen category again, the Hall has put off the other TCB guys’ worthy induction for yet another year.  That will make it a full decade of waiting.  This is so frustrating.  These guys deserve to be in the Hall of Fame.  It’s hard to tell if EPE is doing any promotion on their behalf, but they should.  If they would use that huge mailing list of fans they’ve got to organize a letter-writing campaign on the fellows’ behalf, maybe we could get this thing done.

I’ll say it again.  Jerry Scheff, Ronnie Tutt, Glen D. Hardin and John Wilkinson BELONG in the Rock & Roll Hall of Fame.

©  2009    Philip R Arnold, Original Elvis Blogmeister    All rights Reserved    www.ElvisBlog.net

One Last Hall of Fame Pitch

 

OK, now that DJ Fontana and Bill Black have been inducted into the Rock and Roll Hall of Fame, we fans are happy that all of Elvis’ bandmates of the 50s are honored in the “Sidemen” category.  We’ve talked about that here, and I’ve also asserted that the rest of the 70s TCB guys should join them next year.  Surely there aren’t any more Elvis-related musicians worthy of Rock Hall cheerleading.  Actually, there is one.

The Hall of Fame seems to favor Elvis’ guitarists. They honored Scotty Moore and James Burton, but what about the main guy in the time between them – Hank Garland.  He recorded and performed with Elvis from 1957 until 1961.  The connection between Elvis and Hank Garland would have continued even longer, but Garland had a car crash in 1961 that put him in a coma for months.  Over the years he gained some mobility, but his career was over.

And that career was going quite well up until then.  Garland recorded and performed with the Everly Brothers, Roy Orbison, Patsy Cline, Conway Twitty, Hank Williams and Marty Robbins.  Notice anything interesting about that group of singers?  They are all in one or more Halls of Fame.  Counting Elvis, Hank Garland played with seven Hall of Fame singers.  What more can a “Sideman” do?


 

Hank Garland with Elvis at the USS Arizona concert in 1961

Here are praises for Hank Garland written elsewhere on the web.  ElvisNews.Com has called him, “the talk of Nashville, known for musical riffs that could take a record from humdrum to dazzling.”  Musician Wolf Marshall said, “He is heralded as the quintessential Nashville studio guitarist.”  That sounds like a Hall of Fame “Sideman” resume by itself, doesn’t it?   Plus Hank Garland had many accomplishments with Elvis. 

So, what music did he make with Elvis?  Garland replaced Scotty in the recording studio on June 10, 1958 at RCA Studio B in Nashville.  The pressure was on to get some hits in the can before Elvis went in the Army.  Elvis recorded just five songs but got huge mileage out of them: Top 10 hits “I Got Stung,” “A Big Hunk of Love” (#1), “I Need Your Love Tonight,” and “A Fool Such As I” (#2).  My fellow Elvis blogger Alan Hanson at  www.elvis-history-blog.com says, “Garland really shines in the 1958 session, especially in “A Fool Such As I” and “I Need Your Love Tonight.” On the latter song, his guitar part is so strong that it overpowers Elvis’ vocal.”

When Elvis finished his Army service and returned from Germany in 1960, there was a similar urgent need for songs to release as singles.  Scotty Moore was back in the fold as guitarist for the March 20, 1960 session, but Hank Garland partnered up with him on electric bass.  They did six songs, including three hits:  “A Mess of the Blues,” “Fame and Fortune” and “Stuck on You” (#1).

Two weeks later everybody was back in Studio B, this time with Scotty and Hank sharing guitar duties.  Elvis recorded a dozen songs, including #1 hits “It’s Now or Never” and “Are you Lonesome Tonight?”

With that output behind him, Elvis took a recording breather in the middle of 1960.  He finally returned to the studio in October – to record a spiritual album.  Again, Scotty and Hank shared the guitar work on His Hand in Mine.

In March 1961, before starting the filming of Blue Hawaii, Elvis gave a benefit performance in Honolulu to raise money for the USS Arizona Memorial Fund (The Arizona sunk during the attack on Pearl Harbor).  Elvis stayed with the double guitar team of Scotty Moore and Hank Garland.  This turned out to be Elvis’ last live performance for eight years. 

And then the car accident ended it all for Hank Garland.  He had a short career, but it was full of outstanding “Sideman” accomplishments.  He recorded a dozen hits with Elvis, including four #1s.  His songs with Elvis filled up three albums.  In addition, he played with all those other Hall of Fame singers. 

Come on, Rock and Roll Hall of Fame.  Put Hank Garland in.

 

Hank Garland shortly before he died in 2004

©  2009    Philip R Arnold, Original Elvis Blogmeister    All Rights Reserved    www.ElvisBlog.net

 

MORE UNFINISHED HALL OF FAME BUSINESS

A thought struck me while watching the 2009 Rock and Roll Hall of Fame Induction Ceremony.   Now that drummer DJ Fontana and bass player Bill Black have been honored in the “Sideman” category, all of Elvis’ 50s bandmates are in the Hall.  Guitarist Scotty Moore was inducted back in 2000, so this recognition of DJ and Bill was long overdue.  Nine years overdue, in fact.

Part of the delay may have come from the Selection Committee losing interest in the category. For some reason, the Hall of Fame added only six new members to the “Sideman” category from 2000 to 2007.  There were no inductions to the category at all in 2004, 2005, 2006, and 2007.  Somehow, the category must have fallen out of favor, because there were plenty of people out there deserving the honor.

The “Sideman” category came back to life a bit in 2008 with the induction of Little Walter, an excellent blues harmonica virtuoso and singer.  He was a long-time sideman to Muddy Waters (also in the Hall).

In 2009, the “Sideman” category had good action with three inductees.  Keyboard artist Spooner Oldham joined DJ and Bill this year.  He has played with a huge list of singers during his forty-year career.

So, if the “Sideman” category is getting on the ball and trying to catch up a bit, I have a suggestion.  I think it’s time for the rest of the TCB Band to be inducted. 

Guitarist James Burton has been a member of the “Sideman” category since 2001, so the rest of the TCB guys have been waiting only one year less than DJ and Bill.  To continue that any longer would now be stupid.

Drummer Ronnie Tutt, piano player Glen D. Hardin, bassist Jerry Scheff and rhythm guitarist John Wilkinson should go in the Hall of Fame next year.  Their absence is just not right; the whole band needs to be in, together.  A band is a unit, and that great music behind Elvis in the 70s came from the shared talents of these guys. They deserve equal honors.

 

James Burton

    

Ronnie Tutt

 
   Glen D. Hardin

Jerry Scheff

 

John Wikinson

Years ago, at Elvis Week 2005, I was backstage before a concert, and drummer Ronnie Tutt autographed his photo in an article I wrote about the TCB Band in Elvis… The Magazine.  He asked me if I could write something new to help get him in the Hall of Fame.  I told him I would, but not until we had DJ Fontana in there first.  Well, Ronnie, that time has come.

It’s time to push for the rest of the TCB Band to be inducted into The Rock and Roll Hall of Fame.  There is no way they haven’t earned it.  Elvis surrounded himself with great musicians, great sidemen.  Ronnie Tutt, Glen D Hardin, Jerry Scheff and John Wilkinson belong in the “Sideman” category.  They belong in the Hall of Fame.  End of story.

Hopefully you will read lots of other articles and columns that support putting the rest of the TCB Band in the Hall.  Every Elvis website, blog and fan club should speak up for this long overdue recognition by the Rock and Roll Hall of Fame.  Graceland will certainly be pushing for these guys.  All except John Wilkinson are part of the travelling TCB Band that works with EPE on Elvis The Concert, the Elvis Cruise, and most Elvis Weeks.  I hope our combined efforts make a lot of buzz.

 

Remember you heard about it here first.

©  2009    Philip R Arnold, Original Elvis Blogmeister    All Rights Reserved    www.ElvisBlog.net

 

Wanda Jackson and Elvis

 

I hope you aren’t tired of articles about Elvis-connected people who were recently inducted into the Rock and Roll Hall of Fame, because there is one more.  Elvis had a lot to do with Wanda Jackson becoming the first queen of rock and roll, as the Hall website calls her.  Like many other Wanda Jackson fans, I believe this Hall of Fame recognition was long overdue.  Her cause has been championed for years by Bruce Springsteen and a number of other notable rockers.

Unfortunately, the Rock and Roll Hall of Fame decided to induct her into the “Early Influences” category, rather than as a “Performer.”  How stupid!  As the first queen of rock and roll, she was one hell of a performer.

Let’s look at the story of Wanda Jackson.  In 1955, she was an seventeen-year-old aspiring country singer, with some minor hits to her credit and a half-hour radio show on KLPR in Oklahoma City.  In July, she was booked on one of those packaged touring country music shows that were popular in the fifties.  It was here that she met a young male singer from Memphis who had a new sound and a controversial stage presentation.  His name was Elvis Presley, and they became fast friends.  Wanda and Elvis performed in other touring shows in August and October, 1955, and again in early 1956.

  

 

Elvis and Wanda dated a bit, but her dad was her manager on the road, so things never got hot and heavy between the young singers.  In an interview in Rolling Stone magazine, she said, “Our dating amounted to what we could do on the road.  If we got in town early, we might take in a matinee movie.  Then, after the shows, we could go places with his band — and my dad, of course… It was very important, a girl’s reputation, in those days.  There were things you could and couldn’t do, and my daddy made sure I never crossed the line.”

Elvis urged Wanda Jackson to branch out and try rockabilly music.  He said, “It’s the next big thing, and you need to be singing it.”  She took his advice and decided to try her hand in this wild new world of rockabilly.  “He broke my train of thought and made me realize I could stretch myself.”

         

Her first step in this direction was recording a rockabilly song on Capitol Records titled “I Gotta Know.”  Although it received much airplay on country music stations and even reached the Top 10, she was actually making her move into rock and roll.  After that, Capitol played it safe by releasing 45s with a fiery rockabilly number on one side and a country song on the other.

The rockabilly songs are what made her mark in music history.  As Rolling Stone said, “Her songs were full of vinegar.  She sang them all with gravel-throated gusto.”  The Smithsonian Institution would later refer to her as the sweet lady with the nasty voice.  The Rock Hall website says, “Jackson’s rockabilly recordings – including such red-hot fifties sides as “Hot Dog,” “That Made Him Mad,” “Rock Your Baby,” Mean Mean Man,” and “Honey Bop” – are among the greatest ever made.”

However, at the time, these songs did not have great commercial success, and full rockabilly stardom eluded her.  “I was ahead of my time,” Jackson has said.  “They were only beginning to accept men doing what was thought of as being this very wild and rebellious music; they sure weren’t going to accept a young lady singing this!  It then took me until 1960 to get a hit.”

That hit was “Let’s Have A Party,” which Elvis fans know he originally recorded for the movie Loving You in 1957.  Jackson liked the song and recorded it in 1958 for her self-titled first album.  She was backed by one of the tightest rockabilly bands there has ever been:  Gene Vincent’s Blue Caps.  The song went unnoticed for two years.

       

             Wanda's First Album               Wanda and Gene Vincent       

In 1960, a Des Moines disc jockey discovered the song and started using it as the theme song for his radio show.  Soon, it was getting airplay everywhere, and it went on to be a Top 40 hit.  However, by this time Wanda had given up on rock and roll and had gone back to her country music roots.  Her next two releases were “Right or Wrong” and “In The Middle of a Heartache.”  Both barely made it into the rock and roll Top 40, but they achieved Top 10 success on the country charts.

Wanda Jackson went on to have great success in other countries.  Her novelty song “Fujiyama Mama” became her first number one hit – in Japan.  Europe embraced rockabilly music in the sixties, and Wanda recorded an album in German in 1965 which lead to another foreign number one ranking with the song “Santo Domingo”.   Later, she recorded and toured as a gospel music artist, performing mainly in American Baptist churches.  In the mid-80s, she returned to her rockabilly and country songs on several European tours. 

             

Since 1995, Wanda Jackson has had a full schedule of touring in this country.  In 2007, she recorded an album in tribute to her old friend titled I Remember Elvis.  “[Elvis] has been a big part of my life.  I worked with him and loved him very much for the person that he was, so it only seemed right that I should do a special tribute to him.  I chose the songs he was singing when I was working with him in the fifties, and that gave it purpose.  At the end of the CD, I also tell stories about my remembrances of the first time I met him, the first night I worked with him, and the last time I saw him.”

             

So, after she chalked up nearly fifty-five years as a performer, The Rock and Roll Hall of Fame finally recognized Wanda Jackson.  In spite of calling her “The First Queen of Rock and Roll,” and declaring her rockabilly recordings are among the greatest ever made, the Hall did not induct her as a “Performer” like Elvis, Gene Vincent, Carl Perkins  Buddy Holly, and all her other contemporaries in the late-50s and early-60s.  What were they thinking when they put her in the “Early Influences” category.  She joined the ranks of great artists like Billy Holliday, Jelly Roll Morton, Mahalia Jackson, and T-Bone Walker, so she is in good company.  But, these folks performed in the 30s and 40s.  They really were early influences.

It is true that Wanda Jackson has been a big influence on the music of this country.  But, she was out there on stage with the best of them in the early days of rock and roll, including Elvis, Johnny Cash and Jerry Lee Lewis, all recognized as “Performers” by the Hall of Fame, not “Early Influences.”    For my money, Wanda Jackson was, and is, a great performer.  Check her out on this video of “Let’s Have A Party.”

 

 

Now that I’ve had my rant, I’m going to forget about this category thing and just regale in the fact that Wanda Jackson is finally in the Rock and Roll Hall of Fame.  I’ll bet her friend Elvis is happy about it, too.

©  2009    Philip R Arnold, Original Elvis Blogmeister   All Rights Reserved    www.ElvisBlog.net

Congratulations, Bill Black

 

When I heard the news last week about DJ Fontana and Bill Black making the Rock and Roll Hall of Fame, I Immediately sat down and started writing about DJ Fontana.  I wasn’t disrespecting Bill Black.  I knew I would get to him next, and now it is time to give Bill Black a great big posthumous congratulation.

Scotty, Bill and DJ

It’s hard to believe he passed away forty-four years ago.  Too bad he didn’t have the durability of Scotty and DJ, who are still carrying on in their mid-seventies.  Those three guys made one heck of a band behind Elvis.  Despite his short time in the spotlight, Bill Black is an interesting story.

I told part of it five years ago in the 50th Anniversary issue of Elvis International, The Magazine.  It was a sidebar to an article about the Legends Salute, a concert promoted by Darwin Lamm at Elvis week 2004.   The concert was in honor of the 50th Anniversary of Elvis’ first song, “That’s All Right (Mama).” It was headlined by Scotty Moore, DJ Fontana, Boots Randolph, and The Jordanaires.

 

A SALUTE TO BILL BLACK — The Unsung Legend

By Phil Arnold
 
From:  Elvis International, The Magazine…50th Anniversary Of Rock & Roll –  August 2004

 

The 50th anniversary of the birth of rock & roll cannot pass without giving just praise to one of the men who was there: Bill Black.  Scotty Moore and Bill were the old pros in Sun Records studio on July 5,1954, when “That’s All Right (Mama) was recorded.  They were pioneers, just like Elvis, in the unearthing of this new sound.  Their musical talents on guitar and base blended with Elvis’s powerful vocal to create history.

 


 
Scene from Jailhouse Rock reminiscent of the real thing at Sun Records

 

Scotty Moore is a headliner of the 2004 Legends Salute.  Bill Black, unfortunately, will not be on stage, as he died in 1965 of a brain tumor.  His memory should be honored, not just for his contributions in the studio, but also for the huge benefits Elvis’ early live shows got from his stage presence.  Quite often Bill’s joking around warmed up the crowd and took some heat off Elvis.  Scotty Moore states, “If it hadn’t been for Bill, there were a bunch of shows where we would have died on the vine.”

 

Bill Black riding his upright base on the Milton Berle Show, April 3, 1956

 

Bill Black’s bag of tricks included riding his stand-up bass across the stage.  In his book “That’s Alright Elvis” Scotty Moore tells of the times on stage when Bill would take off Scotty’s belt while he was doing a guitar solo, and throw it out into the audience.

 

Elvis and Bill Black on stage in Austin, TX, August 25, 1956

 
Bill parted company with Elvis in 1958.  He went on to considerable success with a string of instrumental hits by Bill Black’s Combo in the early 60’s.  He is a true trailblazer in the birth of rock & roll, and should be remembered when  “The Legends” salute the 50th anniversary of rock & roll.  Bill Black’s spirit will be up on stage with them that night, a legacy from the ‘unsung legend.’
 
© 2004  Philip R Arnold

Here are the songs on that string of instrumental hits by Bill Black’s Combo.  The first three were all million sellers.

Smokie Part 2            #17 – 1959
White Silver Sands      #9 – 1960
Josephine                  #18 – 1960
Don't Be Cruel           #11 – 1960
Blue Tango                #16 – 1960
Hearts Of Stone         #20 – 1961
Ole Buttermilk Sky     #25 - 1961
Twist-Her                   #26 – 1962

 

Almost all pictures of Bill Black show him with an upright bass, but here is one taken on September 1, 1957 at Sick's Seattle Stadium that shows him wielding a Fender electric bass.

 

Here is a 1962 shot of Bill Black’s Combo.  Did you ever see any other band on stage where the bass player is out front and the guitar player is in the back?

If you would like to read up on more about Bill Black’s Combo, here is a link to a story I wrote in 2000 for Elvis International, The Magazine titled “The Music of  Bill Black's Combo.”

 

So, that’s my tribute to Bill Black, Elvis’ original bass player.  I am so glad he will be in the Rock and Roll Hall of fame.

Bill, you deserve it.  Congratulations.

©  2009    Philip R Arnold, Original Elvis Blogmeister    All Rights Reserved    www.ElvisBlog.net