Category Archives: NEWS

Elvis Presley’s Gold Limousine

Every once in a while I check out the “News” at Elvis.com.  Unfortunately, to find the few newsworthy items, you have to skip through a lot of what really are advertisements.  During the past week, so-called news reports have been about the new 64 gigabyte Elvis USB drives, the 2013 Elvis Presley Holy Land Tour, big saving on Valentines Day gifts at ShopElvis.com, and my favorite, a 30% discount at Graceland’s Chapel in the Woods.

However, one news item that caught my eye was this:

Elvis.com news

I immediately recognized the car as Elvis’ customized Cadillac that toured all over Australia in 1968.  It has an interesting story.  Elvis wanted to have his own classic-styled luxury limousine, so he bought a 1960 Cadillac Series 75 Fleetwood for $10,000, and he took it to Barris Kustom City in North Hollywood, California.  George Barris had considerable fame for producing customized cars.

Elvis and George Barris

Elvis and George Barris in 1960

Elvis told Barris what features he wanted, and Barris gave Elvis many designs, artist renderings and engineering drawings before the modifications were decided.  The price tag was $65,000, which is $487,000 in today’s dollars.

Dream Car

Exterior modifications made significant changes to the roof, the paint, and the trim.  The headlight rims and all other trim were plated in 24 carat gold, as were hand-spun hub cap bullets and flanges.  The car is painted with forty coats of translucent pearl paint containing crushed diamond dust and pure fish scales from the orient.  The top was lengthened and the rear quarter panel windows were replaced by portholes.

1960 Cadillac Fleetwood Limo-Series-75

Here’s what the rear quarter panel windows on a standard 1960 Cadillac Fleetwood look like.  In addition to the portholes, the back window above was also replaced with a smaller one.  The roof was covered with coarse grain white pearl naugahyde.

The interior modifications were even more impressive.  Keep in mind that Elvis had no intention of driving the car himself.  His concept was for a chauffer driven limousine with a yacht-inspired lounge area in the back for him.

Elvis' Seat

Elvis’ Dream Car was designed to give him the ultimate in comfort by transforming the back-seat into a plush private cabin.  The seats are done in air-foam biscuit tufted panels made from gold frieze (with pearl buttons) imported from France.  The two-tone trim is done in white pearl Naugahyde.  The side and roof panels are covered with same gold-frieze biscuit panels and white Naugahyde.  Note that the porthole has the privacy cover in place, and gold lamé drapes can be closed to cover the smaller custom rear window.  Not shown in the photo is a car-phone mounted in a console between the seats.  To the right of where Elvis sat is his private control panel.

Elvis' Control Panel

Here is a blow-up of Elvis’ control panel which contains the intercom microphone Elvis used to talk to the chauffer, as well as controls for the radio, air-conditioner and heater.

 TV, Freezer, etc

Here is a view of many of the customized features at Elvis’ disposal.  At the top is the gold lamé privacy drapes between the front and rear seats.  The gold plated color TV sits on a swivel.  To the right of the TV and clock is a closed vanity case.  Below the TV is a gold refreshment bar that freezes its own ice cubes in two minutes and a refrigerated cab unit.  On the left is the pull-out RCA record player with 10-record automatic changer.

Draem Car Accessories

This shows a different view of the center lounge.  The gold vanity case is open.  Below it is the AM-FM tuner and the open shoe buffer.  Note the TV is not on the swivel in this shot, which seems to serve as a small table for Elvis to put stuff on.  Somewhere in the panel of accessories is a pull-out bar.  The open side door window has the same gold lamé curtains used throughout the car.

Close-up of shoe buffer and white mouton fur

This close-up shows the fold out shoe buffer and white mouton fur on floor.

 

Vanity Case

This close-up shows the open gold vanity case which contains a gold electric razor, gold hair clipper, chrome brush, etc.

It is not recorded just how much Elvis used his dream car, but souvenir-seeking fans caused enough damage to the car that he ultimately stopped using it.  He sold it to RCA who used it for promotional purposes across the country from 1965 to 1967.

Caddy Tour

 

Next, the car was shipped to Australia for a tour to raise money for the Benevolent Society of New South Wales.  It made almost four-dozen stops and was viewed by almost 400,000 people.

Souvenir Brochure

 Elvis’ gold car was not just displayed at large Australian cities like Sydney and Melbourne.  It also appeared in schools, shopping centers, and civic centers in many smaller communities.

Dream Car on Display

 

As the Elvis.com news report above states, the tour of Elvis’ gold Caddy raised over $110,000 ($700,000 in today’s dollars).  You all know how generous Elvis was and how much he contributed to charity.  You may not have known that his car could do that too

 ©  2013    Philip R Arnold, Original Elvis Blogmeister    All Rights Reserved    www.ElvisBlog.net

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Elvis, Elvis Presley, and Graceland are registered trademarks of Elvis Presley Enterprises, Inc.

 

Rupert Murdock's Tabloid World and Elvis

If you follow the news, you certainly know about the cell phone hacking scandal involving the British tabloid News of the World.  When billionaire publisher Rupert Murdock saw how bad the mess was, he took the drastic step of closing down his paper.

                                       

 

The current issue of Time Magazine has a cover story that digs into the history of Murdock and his media empire.  One illustration for the story was a shot of his six tabloid papers.

 

When I saw that one of them was The Star, I remembered my collection of supermarket tabloids with cover stories about Elvis.  Dozens of them came out in the two years after Elvis died, including at least nine published by The Star.  That’s how many I purchased years ago from an aging Elvis fan.  Here they are in the order of their appearance.

 

                                     
September 6, 1977                                                                          September 20, 1977

 

                                  

October 25, 1977                                                                                December 20, 1977      

 

                             
January 31, 1978                                                                             May 2, 1978

 

                                   

August 15, 1978                                                                              

November 28, 1978 

April 10, 1979

As you can see by the cover story titles, these issues of The Star treated Elvis in a sympathetic and positive manner — themes like family, wedding photos, love letters, and Christmas.  Priscilla is pictured prominently on four of the covers.  The only cover story that disappoints me is the first one – Elvis: What Happened

That is of course the title of the hatchet job book authored by three Elvis body guards and released just two weeks before his death.  The Star printed an excerpt from one of the most gruesome sections in the book.  A sub-title across the top of one page said, “Elvis was sprawled across the bed, gasping… the girl’s eyes were like glass marbles.”  You get the idea.

However, this was followed by a beautiful two-page pictorial tribute showcasing seven large color shots of Elvis though the years.  I wondered why they would diminish this nice feature with the junk from the book.  Then I noticed a footnote.  It said that Elvis: What Happened? was copyrighted by World News Corp, which was owned by Rupert Murdock.

Murdock had an uncanny knack for knowing how to make money, so we shouldn’t be surprised he was behind that sorry exposé about Elvis.  It’s a good thing cell phone technology wasn’t around during the 70s, or Murdock’s minions probably would have hacked into Elvis’ phone looking for more dirt.

 

©  2011    Philip R Arnold, Original Elvis Blogmeister    All Rights Reserved    www.ElvisBlog.net
 

Elvis, Elvis Presley, and Graceland are registered trademarks of Elvis Presley Enterprises, Inc.

Random Thoughts on the Remastered Elvis On Tour

Like many other Elvis fans, I headed to my local multiplex theater Thursday night to take in the “One Night Event” showing of the new and improved Elvis On Tour.   My ticket cost $13.50, but I got my money’s worth.  It was a thoroughly enjoyable experience.  Other websites have done a fine job giving deep incisive reviews of the movie, so I would just like to relate some random thoughts that popped into my mind while watching Elvis on Tour.

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The Theater was Filled:  I didn’t know if our little city of 55,000 people contained enough Elvis fans to fill the theater.  I was even fearful that I would be watching the movie with just a handful of other people.  Wrong.  The place was packed.  It will be interesting to learn if that was the case at all 460 theaters across the country.

Priscilla Looked Better:  Priscilla had a part in the preliminary part of the movie, and she looked pretty good. Way better than that plastic-looking face she had on Dancing With The Stars three years ago.  I guess the bad Botox, or whatever was the problem, has now dissipated.

Elvis Wore Some of His Best Jumpsuits:  The film covered 15 concerts in April 1972, and we must have seen six or seven jumpsuits.  They were all great and several of them had capes.  I’m going to do a little research and someday do an ElvisBlog pictorial essay of the Elvis on Tour jumpsuits

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Burning Love Jumpsuit (AKA Red Matador) from Elvis On Tour

 

The Sound Was Awesome:  I don’t know what kind of sound systems they have in modern movie theaters, but they certainly do a great job on a concert documentary like this.  Watching the new Elvis on Tour DVD on my TV will be good, but I’m spoiled after hearing it in the theater.

Lawdy Miss Clawdy:  The best audience reactions occurred during the rousing finishes of powerful ballads like “American Trilogy.”  However, it was the beginning of one rocking song that got a lot of stirring in the audience:  “Lawdy Miss Clawdy.”  The infectious piano pounding by Glen D. Hardin had everybody tapping their toes. I hummed that song in the car as I drove home from the movie, and it was still in my head the next day.  I just had to listen to it again, and the first version I came to was from the pit session of the ’68 Comeback Special.   No piano on this one, but it was still great.

Charlie Hodge Finishing Songs:  When Elvis reaches the end of certain songs while wearing a cape, he grabs the corners in each hand and spreads the cape out behind him.  So, the mic is some distance from his mouth, but the singing continues loud and clear.  How could this be?  It is Charlie Hodge, off to Elvis left, belting out the last notes.  In addition to giving Elvis his scarves and water, Charlie sang harmony on many songs.  When necessary, he could fill in very nicely for Elvis.

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Trumpets Were Good on American Trilogy:  I generally prefer my Elvis music without full orchestration, especially blaring trumpets.  However, I really loved the trumpets in “American Trilogy.”  They contributed to the most powerful and moving part of the show.  I suspect it must have made the hair stand up on the back of your neck to actually hear Elvis sing “American Trilogy” in concert.

Really Liked the Extra Introductory Material:  The original movie was 93 minutes, but now it is a full two hours.  The extra “making of” feature to start the show was outstanding.  Not only did you learn a lot, it enabled you to appreciate many things you would see later in the original footage.

John Wilkinson on Rhythm Guitar:  Because he is in such a serious medical condition right now, it was nice to see a big strong John Wilkinson in this film.  He is also in  Aloha from Hawaii and That’s The Way It Is, which reminds us that he was an important part of the TCB band.  It makes me wonder how the band compensates for having no rhythm guitar player in modern day appearances.  Seems like part of the music would be missing.

image 

 

Wish Somebody had Thought to do Something Like This in 1957:  In the middle of the movie, there was a flashback feature about Elvis in the 50s, edited by a young Martin Scorsese.  This included one full song from the Ed Sullivan Show – “Ready Teddy.”  (Note: It showed Elvis doing the great early gyrations.  Not all of Elvis’ appearances on Sullivan were filmed from the waist up, a fact many lazy writers get wrong.)   The clip showed just Elvis and the band — Scotty, Bill, and DJ.  It’s a shame no enterprising film crew followed them around in those days to put together a similar documentary.

Audience Clapped at End:  When the movie ended, our audience started clapping.  It was a great feeling to be part of that spontaneous response.  The multiplex had nothing else playing in that theater after Elvis on Tour.  They should have just shown it again, and I’ll bet most of us would have stayed for a second look.  I would have.

 


©  2010    Philip R Arnold, Original Elvis Blogmeister    All Rights Reserved    www.ElvisBlog.net
<?xml:namespace prefix = o ns = “urn:schemas-microsoft-com:office:office” /> Elvis, Elvis Presley, and Graceland are registered trademarks of Elvis Presley Enterprises, Inc.
  
 

A Chance to Use the Photos in the Graceland Gates File

I save Elvis-related photos on the assumption that sooner or later I will be able to use them as illustrations for something in the news.  Within the past week, something did happen to the gates of Graceland, so enjoy the pictures.

According to a report on ElvisNews.com, “At around 2.30 a.m. on Friday morning, April 2, a black SUV drove through the Graceland Gates, in Memphis, Tennessee, damaging them. The occupant(s) then drove up to the mansion, shouted something to a female Security Guard and then drove off.”

The damage to the gates was rather minimal, primarily to the connecting hardware that holds the gates to the brick walls.  In the picture below, you can see the gate is dragging on the ground.  Supposedly there is also a small hole in the gate, but that is not visible on these views

              

Gate Sitting on Ground                              Crew Repairing Graceland Gates   

The folks at EPE jumped right into action to get the gates restored, and now you would never know anything happened.  Here are some photos of the gates in perfect shape.

 

Elvis in front of the Graceland Gates

 

               

           Gates At Night                                      Long Shot of Graceland and the Gates

Here are two other photos that might have worked for the ElvisBlog Caption Contest, but we’ll use them here.  Let’s hope these two fans being carried out through the gates didn’t suffer from anything too serious.

 

 

A Hole in the Graceland Wall

 

It takes a really bad driver to run into the Graceland wall and a really stupid one to ram the Graceland gates.  They’ve got security cameras going there 24/7, you know.

 

©  2010    Philip R Arnold, Original Elvis Blogmeister    All Rights Reserved    www.ElvisBlog.net

Elvis, Elvis Presley, and Graceland are registered trademarks of Elvis Presley Enterprises, Inc.

Highlights of the Latest Elvis Memorabilia at Auction

It has been a lot of fun following the most recent batch of Elvis goodies that were offered at auction.  Bidding closed last Wednesday night on 278 Elvis items at the Gotta Have Rock and Roll Auction, and as usual there were several interesting developments.  Let’s take a look at the hits and misses, as well as my choice for the biggest bargain.

Highest Bids:  Although there was no jumpsuit headlining the offerings at this auction, Elvis’ clothing still attracted the highest prices, as usual.  Winning bidders were able to purchase two items for the same price of $41,434. One was the denim jacket, pants and yellow shirt from the 1968 MGM movie Stay Away Joe.  It had an expected price of $15-20,000, so it did considerably better than estimated.

                                           

Denim Jacket, Blue Jeans and Yellow Shirt from Stay Away Joe

The other top item at $41,434 was the red suede jacket Elvis wore on the picture sleeves of two hit records: “Jailhouse Rock” and “I Got stung.”  The jacket was expected to bring between $20-30,000, but beat that range handily.  When auctions include pictures showing Elvis wearing the articles of clothing, it always seems to punch up the bidding.

 

             

Red Jacket on the Picture Sleeves of Two Hit 45s


Other Clothing:  The next highest bid on Elvis clothing was for  pair of black pants featuring brass stud work down the flared legs and a white silk shirt with pointed collar, circa early 70s.  The auction site included a fuzzy photo of Elvis wearing these items which brought in a high bid of $18,681.  This was followed by a kaftan trimmed with gold embroidery and beading.  The bidding closed at $9,124, which was four times the estimate.

                                 

Black Studded Pants/White Silk Shirt                   Gold Embroidered Kaftan

 

So, we have two items of Elvis’ personal clothing, and one brought twice the price as the other.  Why?  I believe it was because the kaftan did not come with an accompanying photo showing Elvis wearing it.  The item description says Elvis loved wearing kaftans and owned a number of beautiful ones.  This may be so, but none of my thousands of Elvis pictures show him wearing one.

Jewelry:  What would an auction of Elvis memorabilia be without rings and watches?  He must have gone through many dozens of both in his lifetime.  This time, a lucky bidder now owns Elvis’ 14KT gold ring featuring a beautiful huge crystal opal surrounded by diamonds.  The auction site has a very fuzzy photo supposedly showing Elvis wearing this ring, but I couldn’t make it out. However, there is also a letter of provenance from Elvis’ wardrobe manager Richard Davis, so the ring brought in $20,060, more than double the estimate.  It also had the most bids of any Elvis item in the auction.

 

               

Crystal Opal Ring                                                             50s Elgin Watch

There were two Elvis watches in this auction, but the vintage Elgin watch above is the more spectacular looking.  It went for just $10,560, well below the estimate of $15-20,000.  Perhaps this is because Elvis was so taken with this watch that he purchased several of them to give away to friends.  In fact, because of his fascination with this model, it became known by the name “Elvis” in the trade.

 

Biggest Busts:  There were a number of no-bid items, indicating that Elvis collectors just weren’t willing to pay the minimum bids stipulated.  Here is one that had a minimum of $35,000 and an estimate of $45-50,000.  It is a set of never-before-seen 3D color slides accompanied by a 3D viewer.  The item description says they were taken with a special camera at a February 1971 Elvis concert at the International Hotel in Las Vegas: “You literally feel that you can reach out and touch Elvis, an incredible experience.  It is the closest you’ll ever get to seeing Elvis live.  The 3D images truly capture his electrifying, high energy performance.”

3D Slides of 1971 Elvis Concert

Frankly, I am surprised EPE didn’t buy these slides.  With their intent to provide more inter-active exhibits at Graceland, this would seem like a natural.  Remember those old arcade machines where you looked in the viewer and saw 3D pictures?   What fan would go to Graceland and not pay a few bucks to look at incredible, electrifying color images of Elvis in concert?

The next biggest no-bid item was Elvis’ 1956 contract with the William Morris Agency, which he signed in two different places.  Nobody thought it was worth the $11,000 minimum, and that’s not a surprise considering the other auction item with two Elvis autographs on it.  That is an insert from an American Airlines ticket envelope that Elvis signed on both sides for two young girl fans.  It had a minimum bid of $800 and went for $3,019.  I think this is a bargain because this came from the December 19, 1970 flight Elvis took to Washington, DC, to see President Richard Nixon.

                            

I found one other no-bid item to be quite interesting.  It is an 8×10 black and white wire service photo showing Elvis, Priscilla, and Lisa.  Like many other Elvis photographs from news sources in this auction, this had a minimum bid of $100 and an estimate of $150-200, but there were no bids.  The reason had to be that the photo is made up of three separate images that were cut out and pasted together.  Look closely and you can see that the head sizes are not quite in proportion.  Even decades before Photoshop, some newsmen were creating false photos.

Biggest Bargain of the Auction:  I wish I weren’t so dedicated to not buying any more Elvis stuff, because I would love to have bought this lot.  I’ve blown up the picture as large as it would go and counted the contents:  23 magazines, 4 tabloids, 8 TV Guides, 5 newspapers, 4 postcards, and 5 paperback books.  In addition, there is a CD, a branch from a tree at Graceland (wrapped in cellophane), and a copy of Elvis’ will.  Plus, there is a surprise in the mailing tube at the bottom, and the unidentified text at the bottom right.  Only two people bid on this lot, and one of them got all this cool stuff for $300.

©  2010    Philip R Arnold, Original Elvis Blogmeister    All Rights Reserved    www.ElvisBlog.net

Elvis, Elvis Presley, and Graceland are registered trademarks of Elvis Presley Enterprises, Inc.

Viva Elvis — Sorting Out the On-Line Reviews

At 8 AM on the morning after Viva Elvis had its official opening performance in Las Vegas, I Googled Viva Elvis to see what the entertainment critics had to say about the reworked Cirque du Soleil show.  For two months, there had been many reviews panning the initial trial presentations of Viva Elvis.  I was hoping the bugs had been worked out and the critical review would be positive.

Believe it or not, Google found over 2 million results for my search.  On the first page of these, there was a selection called “News results for Viva Elvis,” and you could click on links to fifty different articles.  As a service to ElvisBlog fans, I checked out every one of them.  Here are my choices for the five most interesting, and they come at the subject from substantially different directions.

Best Look at Costumes and Backstage:

I liked the Lights, Vegas, Action blog of Vegas.com for several reasons.  The text by Kristine McKenzie was organized into four categories: The Cast, The Music, The Costumes, and The Acrobatics.  There is also a video showing snippets of several dance numbers as well looks at some costumes and other backstage stuff.  And finally, there is a gallery of nine still shots plus three more in the body of the article.  Click on the picture below to go to this informative site.

 

Most Glowing Review (and most intellectual):

I was a bit surprised to read the review on the Time magazine website and find it so complimentary.  Time columnist Richard Corliss used his considerable writing talents to praise Viva Elvis using adjectives like spectacular, fantastic and ecstatic.  I love the way he says that Cirque du Soleil shows are to the typical Broadway shows what Avatar is to the 1933 King Kong.  Corliss tends to write in a scholarly manner, and he incorporates a lot of words we regular folks don’t use in everyday conversation.  I’ll share the ones I had to look up, so you won’t have to do it, too.  Éclat (striking effect). Hagiography (worshipful biography), Oeuvre (body of work), Oneiric (relating to dreams), Terpsichore (choreography), Caconical (recognized/accepted), and Chorines (chorus girls).  You will enjoy this review, so click this picture to go to it.

 

Best Videos about Viva Elvis:

CNN.com has a good article by KJ Matthews on its website.  I liked the analysis of how Viva Elvis differs from the Cirque show Love about the Beatles.  There are actually three videos you can check out, and two are good.  “A Look at Viva Elvis” covers the theater, the specially-built stage, set pieces, and backstage activity.  You may have already seen this video on the Elvis Insiders website.  I also liked “Sneak Peak at Viva Elvis,” which has excerpts of Priscilla’s interview on the Larry King Live TV show.  The last video is titled “Elvis, Obama, and Vegas,” but you can skip it unless you want to hear President Obama doing damage control over his recent slam at Las Vegas.  Click on the pink Caddy below to link to this site.

 

Best Description of the Elvis Songs Used in the Show:

There almost 40 Elvis songs used in the show, either in their entirety or in medleys.  The deepest discussion of the music in Viva Elvis is found in the show preview on the Las Vegas Review-Journal website.  Columnist Mike Weatherford has been writing regularly about Viva Elvis for two months, and this time he interviews Musical Director Erich van Tourneau.  It is revealing when van Tourneau discusses trying to keep Elvis moving artistically – trying to imagine how Elvis would do his hits today.  There is no video and only two photos.  Click on the one of van Tourneau below to read the interview.

 

Most Detail About What is in Viva Elvis:

As you may know, Cirque du Soleil is Montreal based enterprise, so it is no surprise that the Montreal Gazette would cover Viva Elvis on their website.  Columnist Pat Donnelly has written a lengthy article covering (in sequence) just about every element of the show.  I don’t know how anyone could read his piece without yearning for a trip to Vegas to see Viva Elvis.  Because there are no photos accompanying the article, here’s one I picked for you to click on to go to it.

 

©  2010    Philip R Arnold, Original Elvis Blogmeister    All Rights Reserved    www.ElvisBlog.net

Elvis, Elvis Presley, and Graceland are registered trademarks of Elvis Presley Enterprises, Inc.

Elvis' Grandchildren Cut 75th Birthday Cake

In the last ElvisBlog article, we looked at the sketch of the winning design for the special Elvis 75th birthday cake to be unveiled at Graceland on January 8.  I promised to show a photo of the actual cake as soon as it was available.  Well, here it is, and there is a big surprise.  Cutting the cake are Riley and Ben Keough, Elvis' oldest grandchildren.

Riley and Ben Keough

 

Danielle Riley Keough is twenty years old.  She is a successful model and has a supporting role in the soon to be released Joan Jett biopic The Runaways.  Benjamin Storm Keough is seventeen years old.  It was recently reported that he signed a $5 million recording contract, but his mother Lisa Marie has refuted that.  Her ex-husband, musician Danny Keough, is Ben and Riley's father.

You can't see much of Riley's face in the above photo, and that's too bad, because she is a beautiful young lady.  Here's a recent close-up:

 

Riley and Ben's grandmother, Priscilla Presley, was asked it was like to have them at the 75th Birthday event:  “I thought, my gosh, if Elvis only knew that he would have such beautiful grandchildren, so supportive to him, and how beautiful they are. It is bittersweet. He would have been very, very proud, absolutely very proud of his grandchildren.”

 

(C)  2009    Philip R Arnold, Original Elvis Blogmeister    All rights Reserved    www.ElvisBlog.net

Elvis, Elvis Presley, and Graceland are registered trademarks of Elvis Presley Enterprises, Inc.

Opening Night – VIVA ELVIS

(Ed. note)  The official opening of Viva Elvis was on February 19, 2010.  Click here to read the ElvisBlog article covering our favorite on-line reviews of the show.

 

The long awaited trial run opening of Cirque du Soleil's new show VIVA ELVIS is just three days away.  On Friday, December 18, 2000 fans will file into the specially built theater at the Aria Resort & Casino in Las Vegas to view this wonderful tribute to The King.  Regular ticket prices start at $99 and go up to $175, but during the preview period through the end of January, all are subject to a 25% discount

 A basic room at the Aria is $149 per night.  If you want a spectacular view of CityCenter and the strip, it will cost $199.  If you want to celebrate Elvis' 75th birthday by catching VIVA ELVIS and staying at the Aria on January 8, those room rates jump to $259 and $309.

The Aria website has a link with information on showtimes, prices, and a seating chart.  It looks like the show will happen even on Christmas Eve and Christmas day.  The site has this to say about VIVA ELVIS:

Viva ELVIS™ by Cirque du Soleil®, a harmonious fusion of dance, acrobatics and live music, is a tribute to the life and music of Elvis Presley. Nostalgia, modernity and raw emotion provide the backdrop for his immortal voice and the exhilaration and beauty of his music.

Created in the image of The King of Rock 'n' Roll – powerful, sexy, whimsical, truly unique and larger than life – the show highlights an American icon who transformed popular music and whose image embodies the freedom, excitement and turbulence of his era.

Significant moments in his life – intimate, playful and grandiose – blend with the timeless songs that remain as relevant today as when they first hit the top of the charts. Viva ELVIS focuses on the essential humanity of the one superstar whose name will forever be linked with the history of Las Vegas and the entire world of entertainment: Elvis Presley.

 

 

Here are some interesting tid-bits from Reed Johnson's LATimes.com article earlier today.  They are from quotes attributed to Gilles Ste-Croix, Cirque Senior V.P. of Creative Content, and Stephanie Mongeau, Viva Elvis Executive Producer.

Evoking an extraordinary man and his shape-shifting times.

A retro-contemporized tribute that unfolds like a live concert.

None of the show's 75 artists actually will portray or represent Presley on stage.

Those unmistakable purrs and growls will be set to punchy new musical arrangements – like “Black Eyed Peas meet Elvis”

I will be interested to see the reviews of these Black-Eyed-Peas-like arrangements of Elvis' music.  Personally, I'm rather fond of the Scotty Moore and James Burton sounds.  There will surely be a soundtrack CD coming out soon (like just in time for Elvis Week, maybe?), so we can listen to the music even if we can't get to Las Vegas to see the show.

 

It may be a few years until I get out to Las Vegas and see Viva Elvis, but you can be sure that trip will be on my Christmas wish list every year until I do.

 

(C)  2009   Philip R Arnold, Original Elvis Blogmeister   All Rights Reserved    www.ElvisBlog.net

WHAT HAPPENED TO ELVIS PRESLEY'S CASINO ?

 

Below is a snapshot of a page on the website CasinoOnline.co.uk.  The site is a tremendous resource for anyone interested in on-line gambling, but their varied menu also contains reviews of real casinos in the UK and the United States, as well as general gambling news and commentary.  On November 20, they posted the column below:  “What Ever Happened to Elvis Presley's Casino?”

CasinoOnline Editor Holly Emblem had contacted me earlier to see if I would be interested in adding some comments.  She said, “I actually came across your blog via Google when researching the article. I noticed you'd discussed a lot of what I planned to include in the article and wanted to gain your thoughts on the topic. Elvis is such a huge part of so many people's lives that I wanted to do him justice, which is why I wished to gain your opinion on Elvis attractions.”

 

Well, I certainly wasn't going to turn her down after those nice words.  In fact, it sounded like a lot of fun.  Holly e-mailed me a copy of her text so far, and after I had read it, she sent me five questions:

1)  While a new museum dedicated to Elvis has just opened up in Imperial Palace Hotel, there haven't been many “permanent” fixtures since Davidson's museum closed. Do you believe Las Vegas has been lacking in Elvis attractions since the closure of Elvis-A-Rama?
2)  Even though FX Real Estate has gone into bankruptcy, do you think there's still a chance an Elvis themed casino could be developed in Las Vegas?
3)  Do you think it's appropriate for a casino to bear Elvis' name?
4)  Over the past few years, the EPE have been criticized for their treatment of Elvis fans, collectors and museum owners such as Davidson. Do you think there's any truth in the allegations that they ran Davidson “out of town”, or do you think Davidson and EPE came to a mutual agreement?
5) Have you ever visited any of the Elvis attractions in Las Vegas?

Holly used parts of my answers to questions 1, 2 and 5.  I was pretty sure she wouldn't use another part of my answer to number 1, because I wrote about Cirque du Soleil's Viva Elvis opening and how it would be a draw to get me to go back to Las Vegas.  This didn't exactly jibe with the narrative of the article that Las Vegas wouldn't be much of an attraction for Elvis fans without a monster Elvis Hotel/Casino.  And what a monster it would have been — 2,269 rooms, 14 restaurants, 2,000 slot machines, and 130 table games.

I'm not terribly sad about the prospects of no Elvis Presley Hotel/Casino in Las Vegas.  As I told Holly, I would be quite happy if some smaller Elvis attractions opened up.  My complete answer was:


“…there is hope for smaller projects.  Elvis Presley Enterprises has a huge warehouse filled with Elvis memorabilia.  An Elvis restaurant along the lines of Hard Rock and Planet Hollywood would be a natural in Las Vegas.  EPE could display revolving exhibits there that change every twelve months.  They could exclude eating for one or two hours every afternoon, allowing folks to come in and take a close look at everything (for a small charge, of course – or maybe, not so small).  Fans would come back each year looking forward to seeing a whole new exhibit of Elvis items.  An adjacent theater would work as well.  The best of the Elvis Tribute Artists already make a nice living in venues all over the country.  Las Vegas could offer them a shrine to perform in, and fans would support it.  Finally, my warped mind can envision the “Virtual Elvis Experience.”  By using rotoscope/green screen technology, fans could sing along with Elvis like Celine Dion did on American Idol.  For a mere $50, you could take home a DVD of it as a treasured memento of your Las Vegas trip.”

A look at the map below shows the proximity of the planned Elvis Presley Hotel/Casino to the Cirque du Soleil show Viva Elvis.  The large open space in the center (which is between Monte Carlo and Bellagio) is the site of the huge Las Vegas CityCenter, including the Aria Hotel and its theater where Viva Elvis will be performed.  Looking straight down from there, you see a green X-shaped structure which is the MGM Grand.  Between it and Harmon St. is the 17.72 acre property FX Real Estate owned where they planned to build the Elvis Presley Hotel/Casino.

It certainly would have been the destination of choice for fans coming to Las Vegas intending to take in Viva Elvis.

 

 

Please click here to read the entire CasinoOnline article and find out what happened to the Elvis casino.

 

©  Philip R Arnold    Philip R Arnold, Original Elvis Blogmeister    All Rights Reserved    www.ElvisBlog.net

Benjamin Keough Signs Recording Contract

 

According to the UK Telegraph, Elvis Presley's only grandson, Benjamin Keough, has reportedly been offered a $5 million contract by Universal, the world's biggest record company.  To earn this nice chunk of change, Benjamin will make up to five albums.   

The news was reported by Mr. Tim Walker in his regular Telegraph on-line column.  He says he spoke with Benjamin at the Inspiration Awards for Women in London to get the scoop.  Benjamin told him he is already recording his first album, and it will be very different in style from the music Elvis made.  “The music will be nothing like Elvis, nothing like him at all.”  He hopes to release the first album next year.

For some reason, Mr. Walker referred to him as Benjamin Presley.  I hope ElvisBlog will be the first of many voices calling on him to use his given name, Benjamin Keough.  If he wants to create his own identity, his own musical style free from any connection to Elvis, he should not capitalize of his famous grandfather's name.  He will get plenty of press without it.

                                  

Benjamin Keough                                             Elvis Presley

According to Mr. Walker, Benjamin bears a strong resemblance to Elvis.  Here's a couple of pictures for comparison.  What do you think?  It appears that the resemblance gets stronger as Benjamin ages, as we can see in this earlier ElvisBlog column.

Apparently Benjamin already has a “spokesman,” who issued this quote, “He's a typical 17-year old.  He doesn't get up before midday and then he grunts at you.”   If you think about it, while Benjamin doesn't want his music to sound like Elvis', he already has one of Elvis' traits down pat.  Elvis was famous for getting out of bed in the middle of the day. 

 

(C)  2009    Philip R Arnold, Original Elvis Blogmeister   All Rights Reserved    www.ElvisBlog.net