The upcoming 30th Anniversary celebration will generate stories about Elvis in all sorts of media. Many of these feature articles will mention the fact that Elvis had eighteen #1 hits. What they won’t mention is that Elvis also had a record six #2 hits. These songs sold over a million copies each and spent many weeks on the Top 40 charts, but they had unfortunate timing for their release and got stalled behind some of Rock & Roll’s monster hits. Let’s take a look at the six Elvis songs in reverse chronological order. All statistical information comes from a reference I have used for over twenty years: “The Billboard Book of Top 40 Hits.”
Burning Love: This was Elvis’ highest-ranking song during the last seven years of his career, but it was kept from the top spot by the only #1 hit for another legend, Chuck Berry. It’s hard to believe Berry’s songs like “School Day,” “Sweet Little Sixteen” and “Johnny B. Goode” never reached #1, but his 1972 novelty song “My Ding-A-Ling” did. It stayed on top for two weeks and effectively blocked Elvis. However, “Burning Love” is a classic that became a staple of his concerts, and it stayed in the Top 40 for twelve weeks.
Return To Sender: In 1962 this song stayed at #2 for an unbelievable five weeks, and it was blocked from the top by the same song for the entire period. So what was the powerhouse single that denied Elvis #1? It was “Big Girls Don’t Cry” by the Four Seasons. 1962 was the year they blasted onto the music scene, and their first three releases (not counting a Christmas song) spent a combined thirteen weeks at #1. It was a pretty good year for Elvis, too, with “Good Luck Charm” going to #1 and six other singles ranking on the charts. “Return To Sender” stayed in the Top 40 for a total of fourteen weeks.
Can’t Help Falling In Love: This was one of those six other hits in 1962, making it a year of double frustration for Elvis. “Can’t Help Falling In Love” had the misfortune of trying to buck the early 60s twist fad. During the one week it reached #2, it was sandwiched between two twist songs. “The Twist” by Chubby Checker was #3 and dropping after it’s second reign as #1 (the other was in the Fall of 1960). No other song has ever gone to #1 twice in different years. The song that kept Elvis from the top was “Peppermint Twist” by Joey Dee and The Starlighters. “Can’t Help Falling In Love” stayed in the Top 40 for twelve weeks.
A Fool Such As I: Elvis was still in the Army in 1959, but the vault of songs he recorded before going to Germany produced four hits, including “A Big Hunk of Love” at #1. Next best was “A Fool Such As I,” and it stalled at #2 behind “Come Softly To Me” by the Fleetwoods, which claimed the top spot for four weeks. “A Fool Such As I” spent eleven weeks in the Top 40. However, it fared better in England, where it was #1 for five weeks.
Wear My Ring Around Your Neck: In April 1958, this song entered the Billboard charts at #7 – the highest entry position of any Elvis single. It was certified a million seller based on advance orders alone. With momentum like that, how could “Wear My Ring Around Your Neck” not make it to #1? It was blocked blocked by the novelty song “Witch Doctor” by David Seville, who later created Alvin and the Chipmunks. “Wear My Ring Around your Neck” stayed in the Top 40 for thirteen weeks.
Love Me: Elvis entered 1957 with five #1 hits already to his credit (“Jailhouse Rock,” “I Want You, I Need You, I Love You,” “Don’t Be Cruel,” “Hound Dog,” and “Love Me Tender”). He would achieve four more in 1957 (“Too Much,” “All Shook Up,” “Teddy Bear,” and “Jailhouse Rock). ”Love Me” stalled at #2 for two weeks, but this is quite an achievement for a song that was not released as a single. It was one of four songs on the EP Elvis, Volume 1. EPs (Extended Play) were in essence 45-RPM mini-albums. Elvis, Volume 1 was released on the same day as Elvis’ first album Elvis. The four songs were also in the album, and the EP cover had the same picture. “Love Me” was blocked by a huge hit “Singing The Blues” by Guy Mitchell. “Singing The Blues” stayed at #1 for ten straight weeks. If that sounds like it ought to be a record, it is not. The longest stay at # 1 belongs to Elvis. “Don’t Be Cruel” sat at #1 for 11 weeks, and the next week, the flip-side “Hound Dog” moved into the top spot.
For what it’s worth, Elvis also had three songs stalled at 3#. “Devil In Disguise” and “Crying in the Chapel” in 1963, and “In The Ghetto” in 1969.
© 2007 Philip R Arnold All Rights Reserved www.elvisblog.net.
ELVIS COMMENTARY MINI-NUGGETS — # 5
A Do-Over for Led Zeppelin: On May 11, 1974, Elvis performed in concert at the Los Angeles Forum, and he was aware that the members of the metal band Led Zeppelin were in the audience. One of the songs on the set list was “Funny How The Time Slips Away,” but Elvis and the band had a shaky start on it. So, Elvis stopped the song and jokingly said: “Wait a minute… If we can start this together fellas, because we’ve got Led Zeppelin out there… let’s try to look like we know what we’re doing, whether we do or not.” This was not a particularly good period for Elvis, but he still had his sense of humor.
Hey, You Can’t Do That To Elvis: Back in March, a neo-Goth band named The Horrors performed in a UK venue called Great Scott. (If you aren’t familiar with neo-Goth bands, the best I can figure out is that their outfits and hairstyles are creepy, they play very loud, and they like to do shocking things. A good example would be Ozzy Osbourne biting the head off a bird on stage.) Three-quarters of the way through the show, The Horrors lead singer jumped off the stage and climbed up on a ledge on the opposite end of the venue. He grabbed a two-foot tall porcelain bust of Elvis and carried it back to the stage. Then he smashed it into hundres of pieces on the dance floor. The Great Scott management immediately escorted The Horrors off the stage and shut down the concert. Good for them.
Elvis and Black Jeans: In the mid-fifties, Levi Strauss & Co. decided to update the image of their denim pants. Until then, the popularity of blue jeans came from the romantic appeal of the Gold Rush and the rugged image of the cowboy. However, Levi Strauss realized there was a growing new group of potential customers called teenagers who needed to be targeted. After the release of Elvis’ hit movie Jailhouse Rock in 1956, they introduced a line of black denim pants called Elvis Presley Jeans. These black jeans were immensely popular and made previously unheard-of profits for Levi Strauss. It has been said that Elvis actually disliked denim. To him, blue jeans were just a reminder of the early days when he was poor.
Al Wertheimer Says It Ain’t So: All of the websites that report Elvis news recently posted the same story: Al Wertheimer would release an updated version of his 1979 soft-cover book “Elvis ’56 – In The Beginning.” It would see new life this August as a 224-page hardback from Carlton Books titled “Elvis: A King In The Making.” The news reports even listed the future ISBN number (184421228). Well, I e-mailed Al to congratulate him on this wonderful idea, and he responded, “Talk of reissuing the “Elvis ’56” book are just that, they are rumors without any merit.” So, I e-mailed him back and told him that if the project ever does become a reality, I would be honored to write the Forward – for free. Al replied, “Only believe one tenth of what you hear. This is a total fiction, but thanks for the offer.” Too bad. That would have made a great coffee table book.
The Demise of the Elvis Movie Soundtracks: Elvis made 31 theatrical films, and for many years, every Elvis soundtrack was an automatic top 20 seller. However, as the quality of the movies declined, so did the appeal of the soundtrack releases. In 1967, Double Trouble and Clambake could not get higher that #40 and #42 on the album charts. That signaled the end of the Elvis soundtracks. Of Elvis’ last six movies, only Speedway had a soundtrack album, and all it could muster was #82.
Elvis Held No Animosity Toward Johnny Rivers: The Elvisblog article “Elvis and Johnny Rivers” on May 6 told the story of both singers recording the song “Memphis.” Although Elvis had planned to release “Memphis” as a single, the idea was dropped when Rivers’ release became a huge hit. I should have continued the article to explain that Elvis never held any ill will toward Rivers over this. Despite what Peter Guralnick stated in his book “Careless Love: The Unmaking of Elvis Presley,” Elvis was not outraged. There is an interesting section on www.johnnyrivers.com about all this, with testimonials from Chuck Berry (who wrote the song) and guitarist James Burton. The best substantiating reference is a February 3, 1999, letter to Rivers from Larry Geller, Elvis’ long-time hairdresser and friend. Geller stated, “As to the allegations that he was upset or angry that you had recorded 'Memphis' before he had a chance to do so, that’s nonsense. Elvis was delighted at your success: he considered you a major creative talent in the industry, both as a performer and as a songwriter.” That sounds more like the Elvis we know.
© 2007 Philip R Arnold All Rights Reserved www.elvisblog.net
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