Tag Archives: Gordon Stoker

Random Thoughts on Encore’s Elvis Movies — Part 2

Did you enjoy Jailhouse Rock on Encore last night as much as I did?  It was the fourth in a series called The Elvis Collection that gives us a commercial-free Elvis movie every night in May.

As I said in the last post, the plots are so well know after repeated viewings, that I try to find other things to look for to keep it interesting.  So, I was happy to find a new one in Jailhouse Rock.  It occurs after Elvis’ character Vince Everett signs a movie contract, and the scene is a celebratory party.  There is a large man dancing with surprisingly nimble feet.  It was Lamar Fike.

Lamar Fike Dancing in Jailhouse Rock

I knew Lamar travelled to Hollywood when he heard Elvis had swallowed a crown and was in the hospital.  After it was extracted and Elvis recovered, Lamar stayed on with the rest of Elvis’ buddies already in town.

Lamar and Elvis at RCA studios in LA

Elvis liked to get small movie cameos for his buddies, and Lamar is among the background people in several other scenes, in addition to his dancing at the party.

 

Sunday, May 5 – King Creole:

DVD Cover

 

Okay, I’ve got to watch this one because it is unquestionably Elvis’ finest acting role.  It’s not my favorite – a little too dark and violent – but I appreciate what Elvis accomplished.

It’s just too bad that Col. Parker and the producers never again gave Elvis a story of equal weight or a supporting cast of such talent.  In addition to Walter Matthau, Dean Jagger, Delores Hart, and Vick Morrow, King Creole featured Carolyn Jones as Ronnie, the damaged-goods, kept woman of Maxie Fields, the hood nightclub owner played by Matthau.

Danny and Ronnie

Carolyn Jones plays the most sultry love interest in any Elvis movie, and she is the highlight of King Creole in my opinion.  Every scene between her and Elvis bristles with tension and smoldering desire.

Carolyn Jones  - King Creole

If there is a hotter scene than this in any other Elvis movie, I sure missed it.

There is one other female character in King Creole I like to watch.  I called her the banana woman until I checked out the credits and her character’s name is Forty Nina.  She was the stripper who headlined at the King Creole club before Elvis took over.  Check out her outfit on the DVD cover above.

Publlicity Still

Considering that Forty Nina is only a bit character, she gets equal billing on this publicity photo.

AS I mentioned in the last post, I like to spot Scotty Moore, DJ Fontana, and Bill Black in the early Elvis movies.  They are in King Creole, but you could miss them if you don’t look closely.  They are part of a seven-man band that backs Elvis at the King Creole club.  The other four members are The Jordanaires.  In addition to singing, they play (pretend to play) standard Dixieland instruments.  That’s the late Gordon Stoker with the clarinet.

 

Elvis and Jordanaires singing New Orleans

Notice Scotty Moore is playing a banjo, not a guitar in this shot

 

In spite of all the intense action in the film, Elvis manages to sing some great songs on the King Creole club stage:  “Hard Headed Woman,” “Don’t Ask Me Why,” and the title song.  However, my ears always perk up when he does the blues numbers “New Orleans,” and “Trouble,” his only song at Matthau’s Gilded Cage club.

If you would like to learn a whole bunch more about King Creole, I suggest you check out my friend Troy Yeary’s The Mystery train Elvis Blog.  Troy has proclaimed King Creole as the Movie of the Quarter, and has already done two posts on March 2  and  March 23.   And he promises more to come.

 

Monday, May 6 – Girls, Girls, Girls:

DVD Cover

I think I’ll skip this one.  I watched Girls, Girls, Girls again back in December while preparing for the 50th Anniversary Movie Pictorial article.

As I said, I consider this one a pretty lame Elvis movie.  In addition to a weak story, it has crummy songs, especially the two Elvis sang to the two little girls: “Earth Boy,” and “Dainty Little Moonbeams.”  Of course, every critic panning the songs from Elvis’ movies always includes “Song of the Shrimp” as a classic example.

If I was going to watch Girl, Girls, Girls, the one thing I would look for is the dance sequence between Elvis and Laurel Goodwin to the song “The Walls Have Ears.”

Dancing to The Walls Have Ears

This photo doesn’t show what’s interesting about the dance, but the 50th Anniversary pictorial does.

 

©  2013    Philip R Arnold, Original Elvis Blogmeister    All Rights Reserved    www.ElvisBlog.net

 

Elvis, Elvis Presley, and Graceland are registered trademarks of Elvis Presley Enterprises, Inc.

 

More Gordon Stoker Stories

In the ElvisBlog tribute to Gordon Stoker last week, not much biographical material was given for this legendary musician.  So, here’s a little history.  Gordon was not a charter member of the Jordanaires vocal group when it formed in 1948, but he joined soon after and became the leader for the next six decades.  Gordon backed Elvis on his first RCA recording, “Heartbreak Hotel,” and the Jordanaires sang on almost every song Elvis recorded for the next thirteen years.

 

On Stage in Jailhouse Rock

Here is Gordon (right) doing a little dance move in Jailhouse Rock.  The Jordanaires also appeared in King Creole and G.I. Blues.

 

Gold Jacket - Gordon and Jarret

In addition to recording with Elvis and appearing in movies with him, the Jordanaires also backed him in concert.  Here are Gordon Stoker and Hugh Jarrett behind Elvis in his famous gold lamé jacket.

The Jordanaires did backing vocals for many other singers, including Marty Robbins, Patsy Cline, Jim Reeves, George Jones, Loretta Lynn, Tammy Wynette, Dolly Parton, K. D. Lang, Willie Nelson, Merle Haggard, Ricky Nelson, Ringo Starr, Chicago, Neil Young, Jimmy Buffett, Connie Francis, the Judds, and Vince Gill.  It has been estimated that songs with their backing vocals have sold over 2.6 billion records.

 

During my meatloaf meal with Gordon Stoker, he took my phone number and e-mail address, but I never thought I would actually hear from him.  Well, a few years later he called me to correct a mistake I had made.  The story is a little involved but here it is.

For years, I liked to make CD music compilations and send them to friends at Christmas.  One was called “Elvis Songs by Other Artists,” and it contained two covers each by Jerry Lee Lewis, Bill Blacks Combo, Scotty Moore, the Jordanaires, and others.  However, four of the songs came from Scotty Moore’s 1968 album, The Guitar That Changed the World.

The Guitar that Changed the World

Scotty had called upon old buddies like DJ Fontana and the Jordanaires to help him out with the album.  You would consider most of the songs instrumentals, even though the Jordanaires repeated their original vocal backing parts.  However, on two songs, Gordon and the boys replaced Elvis doing the vocal lead.  These sounded more like Jordanaires’ songs, so I labelled them on my CD that way.

I thought Gordon Stoker would enjoy hearing the compillation and I sent him a copy.  A few weeks later, he called me and said I had it wrong.  He insisted those two songs were not sung by the Jordanaires; it had to be someone else.  So, I explained about them coming from Scotty’s album, and he thought about it and finally said, “Yeah, you’re right.”  After that forty-year-old memory came back to him, he was happy and we had a nice conversation.

 

Over His Shoulder

The last Gordon Stoker story is a little tricky, but I’ll try to write it so it doesn’t offend anyone.  See this picture of Elvis at the piano with the Jordanaires around him.  Knowledgeable fans know Elvis liked to wind down after concerts by singing Gospel music for hours.  Gordon told me a story about one of these sessions.

Bill Black was hanging out with everybody one night while the Gospel singing went on.  He was something of a prankster, and he noticed Gordon was leaning against the side of the piano with his hands behind his back.  One hand held the other, and the upper hand was in a cupped position.  Bill Black moved behind Gordon, who was really focused on the singing.  Black quietly opened his fly and gently placed his penis on Gordon’s cupped hand.  Gordon was so into the singing that he didn’t notice.  Of course, the giggles from everyone else finally gave him a clue and he saw what was going on.  Gordon said everybody broke into raucous laughter.

 

Inducted into Country Music HOF 2001

All of the photos so far have been of Gordon Stoker as a young man.  Let’s look at some more recent shots, starting with the one above from 2001 when the Jordanaires were inducted into the Country Music Hall of Fame.  The fellow in the center next to Gordon is Ray Walker, who replaced Hugh Jarrett as the bass singer in 1958.

 

Phil and the Jordanaires  2007

This photo was shot before the Elvis Week 2007 concert, “The Last Man Standing.”  It was a tribute to Scotty Moore, the last man remaining from the Sun Records recording session on July 5, 1954, that started Elvis on his way.  The concert was also the last time Scotty ever performed on stage.  That’s me wearing my all-access pass and standing behind Gordon.  In 2004, I got autographs from all the performers, but in 2007, I was smarter and got photos with everybody.

That was the last time I ever saw Gordon Stoker.  I was unable to attend Elvis Week 2012, but once again he was part of another concert promoted by Darwin Lamm.  Declining health made it necessary for Gordon to be brought on stage in a wheelchair, and I am told the audience reception was emotional and huge.   Boy, I wish I could have been there.

The last photo comes from 2008 and features Ray Walker and Millie Kirkham along with Gordon Stoker.  Millie was the high soprano voice behind Elvis for fifteen years, starting with the 1957 Christmas album.

 

Gordon, Millie and Ray 2008

I have some concert stories about Ray and Millie, too.  They are not as old as Gordon, but in the back of my mind, I know I will be writing tributes to them as well someday.  It saddens me how we keep losing folks from Elvis’ world.

 

©  2013    Philip R Arnold, Original Elvis Blogmeister    All Rights Reserved    www.ElvisBlog.net

 

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Elvis, Elvis Presley, and Graceland are registered trademarks of Elvis Presley Enterprises, Inc.

Remembering Gordon Stoker

I’m usually thankful when something shows up in the news that inspires an ElvisBlog article.  The exception is when the news is about the death of another Elvis buddy or bandmate or anyone else from Elvis’ world.  In the past few years, this blog has remembered John Wilkinson, Jerry Leiber, Lamar Fike, Boots Randolph, and Charlie Hodge.  There were other losses as well, like Myrna Smith of the Sweet Inspirations

But none of these deaths saddened me the way it did this week when I learned Gordon Stoker had passed away at age 88.  I had personal contact with this wonderful stalwart of the Jordanaires, and he gave me some memories I will never forget.  So, my salute to Gordon Stoker will be to tell some of them here.

 

Milton Berle Show   June 1956

Elvis performing on the Milton Berle Show on June 3, 1956. Gordon Stoker is the second closest Jordanaire to Elvis.

 

Making Moves With Jordanaires

Another shot from that show, and Elvis is doing his moves. Gordon Stoker is second from the left. Did you recognize Elvis’ outfit in both pictures as the one he wore in the film clip of him doing “Hound Dog” on Milton Berle… the performance that created so much commotion.

 

Gordon Stoker between Ed Sullivan and Elvis

Gordon Stoker between Ed Sullivan and Elvis

 

Okay, the stories.  I spent a lot of time around Gordon Stoker during Elvis Week 2004, at the 50th Anniversary Legends Concert.  EPE had deemed it the 50th anniversary of rock & roll, dating back to July 5, 1954, when Elvis recorded his first song.

At that time, I was a contributing editor for Elvis International magazine, published by Darwin Lamm.  Darwin has promoted some great Elvis Week concerts, and he did it again for the 50th anniversary show.  This Legends Concert featured Scotty Moore, DJ Fontana, the Jordanaires, Boots Randolph, Ronnie McDowell, and lots more.  They were followed by the TCB Band Concert.  Great double-bill.

I had backstage-access passes for both concerts.  I functioned mostly as a go-fer, but if somebody wanted a cold bottle of water, I was happy to get it for them.  Plus I was scoring autographs like crazy from everybody backstage.

I was around Gordon at the afternoon practice session, and all the hanging-out beforehand.  My contact with him was minimal, but I became a familiar face.  It was the same thing with the concert, but when it ended, I got a new job.  All the performers signed autographs after the show.  I was part of a four man group that escorted the performers to the autograph tables out in the lobby.  Then we positioned ourselves strategically behind the signers to make sure nobody got pushy in the lines or tried to come behind the tables.  At that point, I had gone from go-fer to bodyguard.

I was stationed near Gordon Stoker.  After a half-hour or so, I was told Gordon needed to leave.  After an active day, this eighty-year-old diabetic was having a little trouble.  All the Jordanaires decided to leave together, so we escorted them out of the lobby and to the service elevator.  I ended up with Gordon, and some stupid fool came up and wanted Gordon to stop and pose for a photo with him.  I had to tell the guy, “Hey, get back and let us pass.  Gordon needs to get some food.”

When the Jordanaires got to the elevator, they took off for the nearest restaurant.  So, after saying hardly anything to Gordon all day, I was now a favorably familiar face.

All this occurred on August 13, so there was lots more of Elvis Week to go.  Gordon and the Jordanaires were there for a few more days, and so was I. The next night I walked past the open restaurant area out in the hotel lobby and saw Gordon Stoker eating at a table alone.  I entered the restaurant, went up to him, and asked how he was doing.  He was fine, and we had a nice little conversation.  To my surprise, he asked me to join him.  You bet I did.

When the waitress came by, Gordon ordered for me.  He was eating meatloaf and raving about it, so he wanted me to have it, too.  He was right.  It was great meatloaf.  We chatted through the whole meal, and he was charming.   He gave me his business card, and wrote my e-mail and phone number on the back of another.  Said he would put it in his book.  I didn’t think we’d actually do any messaging, but he sure made me feel good.

Then, Gordon picked up the whole tab.  I had gone from go-fer to bodyguard to friend.  It was just a perfect night.

 

Sadly, we now say goodbye to Gordon Stoker.  Another member of Elvis’ world has left us.  We’ll miss you, Gordon.  Say hi to Elvis for us.

And, thanks for the meatloaf.

 

Cool shot of Gordon Stoker and Elvis

Cool shot of Gordon Stoker and Elvis

 

©  2013    Philip R Arnold, Original Elvis Blogmeister    All Rights Reserved    www.ElvisBlog.net

 

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Elvis, Elvis Presley, and Graceland are registered trademarks of Elvis Presley Enterprises, Inc.